A Quote by Annalee Newitz

Turning a zombie pandemic into a generic disaster movie robs the zombies of their dirty, nasty edginess and robs the disaster of its epic scope. — © Annalee Newitz
Turning a zombie pandemic into a generic disaster movie robs the zombies of their dirty, nasty edginess and robs the disaster of its epic scope.
In the same way Marxism robs workers of ambition, Feminism robs men and women of love.
The spendthrift robs his heirs the miser robs himself.
The terror of the unforeseen is what the science of history hides, turning a disaster into an epic.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.
They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
Zombie purists don't even call our zombies zombies, because to be a zombie you have to be undead. That's something zombie purists can fight about for years and years to come.
I see a lot of women around me who seem to stop developing as individuals after marriage and children. I don't know what kinds of pressure they're under, but I think it robs the world of 'the older version of Judy or Wendy,' or whomever. It robs the world of the next iteration of them, and I don't think that's right.
I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie.
Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.
President Obama said he is going to use the Gulf disaster to push a new energy bill through Congress. How about using the Gulf disaster to fix the Gulf disaster?
As a country with experience of coping with earthquakes, tsunamis and other natural disasters, Japan believes in emphasizing the mainstreaming of disaster risk reduction. We therefore prioritize investment in disaster prevention and post-disaster improvements under a policy of Build Back Better (BBB).
By the truth we are undone. Life is a dream. 'Tis the waking that kills us. He who robs us of our dreams robs us of our life.
The novel 'World War Z' is told from the perspectives of so many people - speaking to the narrator - that there's no way a movie could capture all of them. Still, the idea of turning a zombie pandemic into a war story is fascinating and could have translated easily to film.
We've seen what happened in Libya, what a disaster that's been driven by Hillary Clinton, and the disaster in Syria and almost disaster in Egypt. What a close call that's been. We're not out of the woods yet with Egypt.
He who robs us of our dreams robs us of our life.
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