A Quote by Anohni

For me, a theatre is a dark place. It should be mysterious; it's where we go to get away from all the utilitarian things we do in the daylight. — © Anohni
For me, a theatre is a dark place. It should be mysterious; it's where we go to get away from all the utilitarian things we do in the daylight.
No man is quite so much a hero in the dark as in broad daylight, in solitude as in society, in the gloom of the churchyard as in the blaze of the drawing-room. The season and the place may be such as to oppress the stoutest heart with a mysterious awe, which, if not fear, is near akin to it.
Songwriting is a mysterious art. When I sit down to write a song, the end result should be mysterious and have this dark quality.
When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
Writing is the place where I can do it all and get away with it. You can't do that in the theatre.
Bro, it's dark. You can't go to a strange building with a mysterious address in the dark. Haven't you ever seen a horror movie?
Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.
When I was young, I wanted to find the Great Dark Man. When I said that I realise now that people thought that by 'dark' I meant black, and that by 'great' I meant big. Whereas I only meant a strong, mysterious person; someone who would 'take me away from all this.'
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place. Things are just way too good.
In a ghost story, usually you've got to hang on until daylight, and you'll be alright. But if daylight's four months away, then you have a problem.
I think I'm always running away from somewhere, and to me, theatre's always felt like a good place to run away to.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
The human heart is a mysterious and sometimes dark place.
I'm hugely negative, so if a joke doesn't land it takes me a long time to get over it. If something doesn't go well I go dark in my head. Basically I start thinking it should be illegal for me to be doing comedy.
I love to go out and have fun, but I'm not all about partying, so that's a perfect place for me to get away from tennis with my friends. I think Canberra is the best place in the world.
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