A Quote by Henri Cartier-Bresson

The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing. — © Henri Cartier-Bresson
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
I loved my computer; it's a tool. A tool increases your mechanical advantages. It allows you to use your strengths and talents to greater advantage, and that's what tools do, and that's what my computer does for me. It's not my toy, it's my tool.
The smug complacency of technology adverts disguises a pretty mixed picture, with too many people not connected, too many passive users of technologies designed for interactive, and far too much talk about empowerment but far too little action to make it happen.
We think it's about little techniques and tricks, but techniques only take you so far. We need teachers who care about kids, who care about what they teach, and who can communicate with kids.
I'm pretty careful about the things I say ahead of time. I'm thoughtful about not going too far. The only thing you can do occasionally is be too much.
Sometimes [people] say the apple doesn't fall too far from the tree. In my case, I am pretty fortunate. [ My kids]'re pretty balanced, cool kids, going through pretty much the same thing all the other kids go through. There's nothing unique about me as a parent. I am a parent. My kids are kids. We do the best we can do. I don't think they know a lot about what I do, other than that I am in this crazy band, Mötley Crüe.
I am far too much in doubt about the present, far too perturbed .about the future, to be otherwise than profoundly reverential about the past.
I would love to just have the work do the talking. We're in positions where people ask us questions; they want to know about more than just the work. And it can go into areas where I've completely shot my mouth off, whether it's too much about my private life or being too opinionated about things in the world. I think the better thing to do - I've learned this from people far wiser than me - is to do very good, quiet work behind closed doors.
The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
In the beginning this was just an idea. Then it was a short story. Then it was a script. Each step was pretty exciting to see people come on board to support the project. It's gratifying to know that more people are seeing my work in this form than my work as a playwright. And it's been fun to hear people's response to seeing it. I've been having some deep conversations with strangers and friends about how much it has made them think about slavery and its impact today.
Many things are mechanical and should remain mechanical. But mechanical thoughts, mechanical feelings—that is what has to be studied and can and should be changed. Mechanical thinking is not worth a penny. You can think about many things mechanically, but you will get nothing from it.
When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
I'm pretty much a .500 quarterback in my career so far and I don't think that's where you want to be, and that's not why you are brought in or people or excited about you.
When the Lord finished the world, he pronounced it good. That is what I said about my first work, too. But Time, I tell you, Time takes the confidence out of these incautious opinions. It is more than likely that He thinks about the world, now, pretty much as I think about the Innocents Abroad. The fact is, there is a trifle too much water in both.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
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