A Quote by Henri Matisse
I never retouch a sketch: I take a canvas the same size, as I may change the composition somewhat. But I always strive to give the same feeling, while carrying it on further.
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It's always necessary to seek for perfection. Obviously, for us, this word no longer has the same meaning. To me, it means: from one canvas to the next, always go further, further.
The charge of being ambiguous and indefinite may be brought against every human composition, and necessarily arises from the imperfection of language. Perhaps no two men will express the same sentiment in the same manner and by the same words; neither do they connect precisely the same ideas with the same words.
If you change, it's because you want to. I will never change, and I never could change because the people around me are the same people who have always been there. My friends are the same, and that means you can never forget where you came from.
The leaders of Europe always seem to emerge from the same elite, the same general frame of mind, the same schools, and the same institutions that rear generation after generation of politicians to this day. They take turns implementing the same policies.
Well, wherever you go, whatever you do, you're still you. You can change your surroundings, start a new life, but you'll always fall into the same old patterns, make the same kind of friends, commit the same mistakes. The thing you need to change is yourself.
long journeys are strange things: if we were always to continue in the same mind we are in at the end of a journey, we should never stir from the place we were then in: but Providence in kindness to us causes us to forget it. It is much the same with lying-in women. Heaven permits this forgetfulness that the world may be peopled, and that folks may take journeys to Provence.
You still love me - even if there's one expression of it that you will always feel and want, but will not give me no longer. I'm still what I was, and you'll always see it, and you'll always grant me the same response, even if there's a greater one that you grant another man. No matter what you feel for him, it will not change what you feel for me, and it won't treason to either, because it comes from the same root, it's the same payment in answer to the same values.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
On the one hand, you're the same person, but as you get older, you change somewhat, and you never know how it's going to affect your work.
My mom and I aren't the same size. She's a bit taller. And we're not the same shoe size either, which is heartbreaking.
The urge is always with me to retouch yesterday's canvas with today's paintbrush and cover the things that fill me with regret.
I thought of Joel Silver. He never changes. He's sort of the unmoving, unchanging rock of Gibraltar in the otherwise-shifting world of Hollywood. He's the same as he always was. He looks the same, talks the same, has the same enthusiasm.
I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.
I do on the field what I know how to do, the same way and with the same passion as always. I give my best, but I have to take things day by day.
What I need is courage, and this often fails me. And it is also a fact that since my disease, when I am in the fields I am overwhelmed by a feeling of loneliness to such a horrible extent that I shy away from going out. But this will change all the same as time goes on. Only when I stand a painting before my easel do I feel somewhat alive. Never mind, this is going to change too, for now my health is so good that I suppose the physical part of me will gain the victory.
As we got further and further away, it [the Earth] dimished in size. Finally it shrank to the size of a marble, the most beautiful you can imagine. That beautiful, warm, living object looked so fragile, so delicate, that if you touched it with a finger it would crumble and fall apart. Seeing this has to change a man.
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