A Quote by Antonio Conte

For you to even enquire about one player, he is expensive. You go to buy a right-back, a left-back, or a central defender, and he is expensive. — © Antonio Conte
For you to even enquire about one player, he is expensive. You go to buy a right-back, a left-back, or a central defender, and he is expensive.
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before.
I played central defender for the most part when I started playing football, either central defence or right-back.
My position is a centre back, but I've played right back before and I started my footballing career as a midfielder. I see myself as a central defender, and I feel most comfortable there.
I played a lot of times at the beginning at Ajax as a left full back with a fantastic combination with Mark Overmars but I think as a central defender and a leader in the back it was my best role I think.
Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
When I was younger, I played as a right-back. I also played as a central defender, but I realised that I could dominate the ball quite calmly, so I started playing further forward in front of the back four.
I'm convinced that sending people to Mars is so expensive that if you go once and bring the people back and then go again and bring the people back, we're eventually going to run out of money. But what if we send people the first time and they don't come back? What if they stay there?
I've been really frugal with money since way back, so I can't buy something if it's too expensive. I'm not that brave.
I was really good, I had a coach who said to me, 'If you want to be a top player, you will need to play as a central defender. If you want to be a good player, you will be a midfielder.' I think he was wrong but, maybe as a central defender, I could be much better, I don't know!
Spirit discernment is rare because it is expensive. It means a sensitive conscience, an instructed understanding through study of the Book of God. It means a passion for purity, for truth, for the right, for Christ Himself, and for living uncompromisingly true in the daily habit. All this lies back of a seeing spirit eye. And these things cost. Discernment is expensive.
It is expensive to live in hotels, even cheap ones - more expensive than renting.
I've always saved. I believe in keeping money back for a rainy day and living within my means. I don't buy expensive clothes; I have a 10-year-old car I'm hoping to replace when a big job comes in. I suppose when we do go on family holidays, I am quite happy to spend when we are there.
A technology becomes truly disruptive when it drives the marginal cost of something that used to be scarce and expensive to approach zero. Thus, it used to be to deploy software at scale, you had to fund a data center, buy a set of servers, storage, and networking gear, build an in-house IT management capability, and buy an expensive stack of enabling software before you could even get started. Now you can get all that from Amazon or Microsoft on a pay-as-you-grow model.
It's a ridiculously expensive time of year and if you buy something that you've guessed at and it's not right, what a waste of money. Far better to ask. And if you do it with three or four weeks to go, by the time it comes to Christmas you've forgotten about it - so it's a lovely surprise.
You know you're a hopeless record nerd when your time travel fantasies always come around to how cool it would be to go back to 1973 and buy all the great funk and jazz and salsa records that came out that year on tiny obscure labels and are now really rare and expensive.
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