A Quote by Anoushka Shankar

I would write songs, inspired by my baby, but then I could tell that my baby was also responding to the music. It was just kind of an amazing musical experience. — © Anoushka Shankar
I would write songs, inspired by my baby, but then I could tell that my baby was also responding to the music. It was just kind of an amazing musical experience.
But truly, women are amazing. Think about it this way: a woman can grow a baby inside her body. Then a woman can deliver the baby through her body. Then, by some miracle, a woman can feed a baby with her body. When you compare that to the male’s contribution to life, it’s kind of embarrassing, really.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
I always see my songs in colors, and I'm often more inspired by movies and photographs than I am by other songs when I write my music. I'm also inspired by fashion, and I want my music to be a visual painting of what's in my mind.
I always give myself a three-month period where I would just hibernate and wouldn't even think about the baby weight. I would just be with my baby in my own little world. And then, once I started getting more energy and wasn't so tired, then I would hit the gym.
I get this a lot: 'Oh, can you take a picture with my baby? Can you hold the baby?' I don't want to hold your baby! I'll hold my baby. I don't like holding someone else's baby. I'm serious! You never know what could happen. It's such an awkward position you're put in, and it's like, 'No, sorry.'
I told my students the other day in class, which is about the spirituality and creativity as much as it is about music. I said, 'If you're walking down the street and you see a baby carriage, and there's a baby in the carriage; you look down and your eyes meet the eyes of the baby. The baby looks at you: That's the kind of moment you're in when you're playing.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
A baby was a fact. It was a being with a mind and a nature, and you could feel about it any way you liked, but a baby wouldn't care. Just by existing, it demanded that you believe in a future: the future it would crawl in, walk in, live in. A baby was a piece of time; it was a promise you made that the world made back to you.
I never wanted to write really cheesy pop lyrics - like, 'baby, baby, the sun is shining' - that's not something that interests me personally. I'm always wanting to write something that has some kind of meaning.
But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.
No one would look at an infant baby asleep, and say 'What a lazy baby!' We know sleeping is non-negotiable for a baby. But that notion is quickly abandoned.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
One way to make a baby cry is to expose it to cries of other babies. There's sort of contagiousness to the crying. It's not just crying. We also know that if a baby sees another human in silent pain, it will distress the baby. It seems part of our very nature is to suffer at the suffering of others.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
Well, I think anybody who's had a baby can tell you that once you have a baby, they kind of become the main focus. I don't think there's gonna be a lot of room for anything else.
If you go with what Hillary [Clinton] is saying, in the ninth month, you can take the baby and rip the baby out of the womb of the mother just prior to the birth of the baby.
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