A Quote by A. R. Rahman
That's the sound design. I watched it sixty times because we were constantly tweaking. The same thing comes twice, right? Once it comes in the beginning when he's about to discover that he needs to come out and one is the dream where he's flattered (??) and then he comes out. The last one, instead of going bigger, we made it smaller. We removed elements and thinned it out. So it doesn't drive him. He drives the music rather than the other way around.
Quote Topics
About
Around
Because
Beginning
Bigger
Come
Constantly
Design
Discover
Dream
Drive
Drives
Elements
Flattered
Going
Him
In The Beginning
Instead
Last
Made
Made It
Music
Needs
Once
Other
Out
Rather
Right
Same
Same Thing
Sixty
Smaller
Sound
Sound Design
Than
Then
Thing
Times
Tweaking
Twice
Watched
Way
Were
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The old idea is that when tragedy strikes or when an obstacle blocks us, there are only two possibilities. We either become a smaller person or we become a bigger person. If it's a real life change you cannot come out the same. So therefore, you're either going to come out smaller or you're going to rise up and ultimately come out of it a bigger person.
Alabama - they were the masters of that. They could come out with 'Mountain Music' or 'Tennessee River' and then turn around and come out with 'Feels So Right.' Go out and have fun and be those guys that like to party, then turn around and make every woman in America want Randy Owen.
We're physical objects, we think of ourselves as these kind of free-floating brains, but the brain is such a little part. It's way smaller than we like to think. We think we're these important human beings. We're not animals or anything. But what did we come out of? What are we made out of? We're made of the same stuff as out there.
If you're serious about singing or acting, which are two art forms that get repetitive, the way to keep the music fresh is to recognize that it is totally impossible for it to ever be the same, night after night. You open your mouth and you'd like a certain sound to come out of it, but it doesn't always come out exactly like you thought it was going to come out!
You know that that thing is going to be as crisp and as clean, as many times as you want to watch it. So, I knew that the film was going to be watched multiple times, a lot like with music videos. Music videos aren't designed to be watched once. They're designed to be watched hundreds of times. On a certain level, the film was dream logic-ed, like a music video
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
A scientist sounds like a scientist because the things that come out of their mouth don't stumble, that's all. If they [said], "And the, um, a microwave, uh," you know, then you don't sound right, but if you can just get it out without stumbling then you're going to sound fine.
Obviously I try to make the best music that I can, but after about two years of making an album, you start to worry: 'Is it going to come out all right? Is it all going to sound churned out?'
If I cannot hear "The sound of rain' long before the rain falls, and then go out to some hilltop of the Spirit, as near to my God as I can and have faith to wait there with my face between my knees, though six times or sixty times I am told "There is nothing', till at last there arises a little cloud out of the sea, then I know nothing of Calvary love.
That's a sound design thing but then we wanted to do music that would not disturb it and at the same time drive it.
I was able to come out to my family, but other than that I couldn't come out to co-workers or to friends because of what that would mean for my military life and my career. That made my life difficult, because I felt like I was constantly conflicted and at war with myself every day that I faced people.
There's definitely that tribal Africana thing going on in my sound. It's that marching band, second-line music, that Creole-influence in the kick, and the snare that drives everything for me. I think it's really what's separated my sound from a lot of the R&B and pop music out there.
It's depressing and scary, but he needs to know the world around him because he's fourteen now and in two years he's going to drive. He needs to know what goes on out in the world. I'm not going to always be there.
I thought we came out with too much respect at the beginning of the game and were on our heels instead of coming out attacking the way we did the last few games without Ricky and Kevin.
The people that have looked out for me and helped to steer me in the right direction, I just can't thank them enough. So, the drive, a lot of times it just comes down to looking around at the people who love and believe in you and realizing that you owe it to them. Even if I have a bad attitude on a certain occasion, I owe it to all these people around me to just come out and drive, push, and try to make this thing the best that I can
I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.
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