A Quote by A. R. Rahman

I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
If you don't get noticed, you don't have anything. You just have to be noticed, but the art is in getting noticed naturally, without screaming or without tricks.
I knew that the only way to get noticed would be by doing something that was not expected of me. I was sure I wouldn't get noticed if I continued to play the heroine in films like 'Chashme Baddoor.'
I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.
One thing I’ve noticed about getting older, it takes twice as much work to get half the results one formerly achieved by falling out of bed.
I feel like part of your job as an actor is you're going to get noticed, and the more successful you get, the more noticed you are. It's kind of like a Catch-22.
Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
It's kind of tough to get noticed. Sure, I can kick my leg over my head, but how do I get noticed?
One of the biggest problems women have is they work really hard and put their heads down and assume hard work gets noticed. And hard work for the wrong boss does not get noticed. Hard work for the wrong boss results in one thing - that boss looks terrific, and you get stuck.
Getting hit is part of the job. You don't want the first time you're getting punched to be in the fight because there's a lot of shock and awe and you won't react well. I like to get hit in sparring. I don't want to get concussed, or I don't want to be getting knocked out, but I want some shock treatment to prepare me for the fight.
I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.
The big thing I noticed from High-A to Double-A is that when you have an advantage count as a hitter, you're not going to get as many fastballs. Adjusting to the 2-0 changeup, that 3-1 off-speed pitch - things like that. I think my swing can stay the same; I just was getting myself out.
Yep. And I noticed how slowly he went down each time, too. (When asked if he noticed how slowly Earl Campbell got up after each play.)
I used to hate getting dressed, getting in front of the camera and walking down the red carpet. It bothered me because I felt like I couldn't be what they wanted me to be. Now it's still not my favorite thing, but I get through it a lot easier because I know that my work brings value to who I am.
We cheated, you and me, and someone noticed. I noticed you; someone else noticed me. It hurts us. That's not so bad. So many people cheat. Everywhere on every level. Everyone's cheated. I'm just saying that you don't need to see yourself as a cheater. Because that's not who you are. You're someone who cheated. There's a difference, and you should try to get that difference, or that's who you'll grow up to be.
The commercial success that came with Anjali Menon's 'Bangalore Days' helped me in getting my work noticed.
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