A Quote by Arbaaz Khan

There will always be a sense of things you want to achieve, where you want to be, a sense of disappointment, a few regrets here and there. Those are always going to linger. How you cope with them and how you move on is what your life is about.
Remaining calm no matter what's going on around you is an incredible challenge, but it will liberate your psychic sense and will probably add a few years to your life as well-after all, getting worked up about things only makes them worse. Life is always full of drama and challenges, but you don't have to overreact to any of it if you choose not to.
I always say there are two things to be successful. The first is decide exactly what you want - set your goals - and then determine how you will achieve them (what skills you will have to learn, what actions will you have to take). And these are totally under your control. These are not dependent upon anyone else.
As an athlete, I'm always thinking about habits and goals and how to achieve the things I want to achieve.
There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.
The great thing about Priest, in all the years that we've been making heavy metal music, is that we've always kind of carried this metal flag, if you will - this beacon of hope that, no matter what you may be going through in life, there's always a sense of overcoming difficulties, a sense of winning, a sense of coming out on top.
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
You learn the most by listening and so, to me, always just listening, always just paying attention and finding out what it is that people see in somebody like them. You find those things, and you try to figure out how to fit them into who you are, who you want to be, and how you want to lead.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
It does not matter that only a few in each generation will grasp and achieve the full reality of man's proper stature-and the rest will betray it. It is those few that move the world and give life its meaning-and it is those few that I have always sought to address. The rest are no concern of mine; it is not me or "The Fountainhead" that they will betray: it is their own souls.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
The issue of torture, connected to American soldiers, is not somewhere most people want to linger. We may not want to confront this issue so much in the U.S. because of how we want to think about our veterans. There's the sense that we want to think of our veterans as - if they're damaged, damaged by something glamorous, like a firefight.
People always ask me "Son what does it take To reach out and touch your dreams?" To them I always say Are you hungry? Are you thirsty? Is it a fire that burns you up inside? How bad do you want it? How bad do you need it? Are you eating, sleeping, dreaming With that one thing on your mind? How bad do you want it? How bad do you need it? Cause if you want it all You've got to lay it all out on the line.
I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all, I want people to question the old standard practices of, 'This is how the structure of something should work,' or, 'This is how a character must behave.'
I've asked you fifty questions and still have no sense of your life, your family, what you care about. They want to know about you, Katniss." "But I don't want them to! They're already taking my future! They can't have the things that mattered to time in the past!" I say.
The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
I'm trying to have no regrets. I'm starting to learn about myself and how to live. As an actor, part of the job is accepting your life and learning how to roll with it. I want to live a life where I don't regret any decisions, and if I do, I learn from them.
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