A Quote by Arjun Janya

I had a really pleasant time composing music for 'Raaga.' — © Arjun Janya
I had a really pleasant time composing music for 'Raaga.'
'Raaga' is one of those movies which is very special for any music director to compose music for.
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
I was really into the music of Cream after I finished composing the music for 'BTTB.'
I consider composing music to the sequel of 'Ladies Tailor' which had music by Ilayaraaja as my biggest blessing.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
I was remembering the things we had done together, the times we had had. It would have been pleasant to preserve that comradeship in the days that came after. Pleasant, but alas, impossible. That which had brought us together had gone, and now our paths diverged, according to our natures and needs. We would meet again, from time to time, but always a little more as strangers; until perhaps at last, as old men with only memories left, we could sit together and try to share them.
I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.
I used to do most of my composing at a little table in a cafe. Composing for 52 instruments, I had to figure out how to accommodate myself to the small table.
I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.
I stumbled into soul music at a very young age. It had something that really spoke to me. Nowadays it's not only American gospel or soul music, it's whenever somebody decides to do music in a way that's honest and passionate. I got into the Motown songs. It had to do with where I come from - we don't really have that where I come from, the sense of mystery and the pain. Sweden has been a wealthy and happy country for some time now. I think I got really drawn to that.
All of a sudden it hit me - if there was such a thing as composing music, there could be such a thing as composing motion. After all, there are melodic figures, why can't there be figures of motion?
When I was younger, I worked for several years composing music for commercials, but I was very happy to give that up. I didn't really like it, it was a way of financing my bands.
I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
Nor need it cause surprise that things disagreeable to the good man should seem pleasant to some men; for mankind is liable to many corruptions and diseases, and the things in question are not really pleasant, but only pleasant to these particular persons, who are in a condition to think them so.
I have not thought of pairing with somebody for music direction and will continue composing music by myself.
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