A Quote by Arlo Parks

I was writing short stories aged seven or eight. I had a vivid, overactive imagination. — © Arlo Parks
I was writing short stories aged seven or eight. I had a vivid, overactive imagination.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
I've always had a slightly overactive imagination.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
I've got an overactive brain. I enjoy work, I enjoy life, and I'm not good at relaxing. I've also never slept very much due to this overactive imagination and my brain constantly thinking.
I always had an awful lot going on in my head, always telling myself stories, very vivid imagination.
I've always been ambidextrous, writing short stories and novels, and I pretty much have been writing a novel and a handful of short stories every year since '91.
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
As a child I had a wild imagination; from the age of seven I'd sit and write epic stories.
My greatest strength as a child, I realize now, was my imagination. While every other kid was reading and writing, I had seven whole hours a day to practice my imagination. When do you get that space in your life, ever?
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
I used to write stories a lot because you had to fill your hours some other way than watching television. So my imagination was vivid, and I used to write a lot of stories. I wrote a novel, which I still have, which is so awful.
When your parents regulate everything you hear and everything you intake, it forces you to get creative in other ways. It sparked the writing bug and the very overactive imagination. Because I've had a lot of time by myself and a lot of time isolated from regular culture, I created my own.
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