A Quote by Art Malik
To see the difference between when I came to Britain in 1955 with what it is today, to see how the sub-continent has been embraced, it is quite extraordinary.
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THe Chinese like the satellite state [North Korea] between China and our forces, they fear that in a reunified Korea, American troops would be at the Yalu River and they've seen that movie before. They didn't like it the first time they saw it and they don't like it any better today. So they are quite happy with the divided Korean peninsula and that's a fundamental difference between the way they see things and the way we see things.
you have often seen in the cinema, erich, haven't you, that between extraordinary people extraordinary things like for example extraordinary love can arise. so we only have to be extraordinary and see what happens.
Bargaining is a repulsive habit; compromise is one of the highest human virtues - the difference between the two being that the first is practised on the Continent, the latter in Great Britain.
Comedy is the difference between how you see a person and how they see themselves.
The difference between how you look and how you see yourself is enough to kill most people. And maybe the reason vampires don’t die is because they can never see themselves in photographs or mirrors.
I don't see much difference between prose poems and flash fiction (I've often taught the latter as the former), but then I also don't see that much difference between art and poetry.
Quite likely the twentieth century is destined to see the natural forces which will enable us to fly from continent to continent with a speed far exceeding that of a bird.
By the time I came to do the final ones [Harry Potter's film], I was working on something that was massively successful. There was a huge difference in indulgence and all sorts of stuff. A very big difference in peoples' attitudes. They were very pleased with themselves. In human terms, it was quite interesting to see the difference.
I dont see much difference between it and the other films though I can see on a rational and intelligent level there is a big difference.
That was always the difference between Muhammad Ali and the rest of us. He came, he saw, and if he didn't entirely conquer - he came as close as anybody we are likely to see in the lifetime of this doomed generation.
I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.'
Everywhere you go on the continent of Europe at this hour you see the conflict between militarism and industrialism. You see the expansion of industrial power pushed forward by the energy, hope, and thrift of men, and you see the development arrested, diverted, crippled, and defeated by measures which are dictated by military considerations.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.
I don't know much about Britain. I've been working overseas for most of my adult life. So I'd like to see what sort of problems there really are here. It's a question of asking, 'Where are we going, how purposeful are we?' And see if there's anything that can be done to find possibilities for change.
The 'how' has a great effect on what we see. To say that 'what we see' is more important than 'how we see it' is to think that 'how' has been settled and fixed. When you realize this is not the case, you realize that 'how' often affects 'what' we see.
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