A Quote by Artie Lange
My father was a really good athlete, so his pop-ups really were sky high. Eventually I learned how to judge them properly and catch them well. It was great training for when I started to play on teams, which I did all through school.
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I think my senior year in high school was when I started wearing Jordans. It was our team rule that we had to play in them so that's when I got - not introduced to them, but got into it. Through the minors I started collecting some, just to wear, and that's when I told myself I want to become a Jordan athlete and did all I could to do it.
Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.
My parents are really, really talented and really good at what they do, so I've always learned from watching them. But their style is something that you can't really learn. They never went to drama school and neither did I.
There are so many great players in the Premier League and of course the big teams are always the favourites, but the teams below them also play good football. The mixture of foreign and English players works really well.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
All those girls who were mean to me[in high school], I pay them back by going through the drive-through window and asking for my burger. That feels really great.
My two best friends have gone through break-ups that were really hard, and I remember thinking, 'How could this be so hard and important to them?' Literally for months they were really upset and they couldn't get over it. I had no idea what it was like. And now that I've been through it, I totally understand.
When I was 13, before I got in high school, I was writing mad raps. I didn't really know if it was good or not, so for a year, I just held them. When I got in high school, I started spittin' bars.
I'd have considered myself fortunate to be coached by Guardiola because he really puts his stamp on teams. He builds them, moulds them, guides them, berates them, nurtures them. He makes them great. He takes them to a higher level; a place beyond mere football.
I had really good English teachers in elementary through high school. Not only were we required to read a lot - which is the best training for writing - we were drilled on grammar every day, every night. I hated the drill part, but I don't dangle my participles too often.
My high school didn't really have a good training program, so I did it on my own.
I suddenly started feeling that the magic of psychedelics wasn't in some other world or some other place, but that they put you in communication with other people. Most of the really heavy things that happened to me were when I was stoned with other people, - when it get all honest, when it got really high and all golden and beautiful and bright and white-colored under the power of truth, when you looked at them and saw true compassion, and you knew they really did love you, and you knew you really did love them.
They got all the size over there, and the teams are really good, so, I think night after night you're just going to have to be ready to lace them up and be ready to play. The teams out there are really good.
I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.
There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And that’s really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
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