A Quote by Artie Shaw

Benny Goodman plays the clarinet. I play music. — © Artie Shaw
Benny Goodman plays the clarinet. I play music.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
I'm working really hard to get the clarinet out of that hole, that Benny Goodman thing.
I started off playing the clarinet, after I was inspired by listening to my dad's Benny Goodman records.
Above all else, [Benny Goodman] was a great player, one of the greatest American music has produced. He brought his absolute talent and his invincible love of music to the fore every time he played. There are many other things connected to society and ethnicity that are often mentioned in a discussion of Benny Goodman but all of them are connected to his overwhelming affection for the art of the music and the fairness it should be allowed to express.
The distance between me and Benny [Goodman], was that I was trying to play a musical thing, and Benny was trying to swing. Benny had great fingers; I'd never deny that. But listen to our two versions of 'Star Dust.' I was playing; he was swinging.
Listening to Benny [Goodman] talk about the clarinet was like listening to a surgeon get hung up on a scalpel.
Since the advent of Benny Goodman, there have been too few clarinetists to fill the void that Goodman left. Ken Peplowski is most certainly one of those few. The man is magic.
My dad had these great Benny Goodman albums that I was obsessed with, and Louis Prima's another guy I loved, and Peter Niro the jazz pianist. I loved international music: Irish music, Mexican music. I love the different colours that they all have.
Everybody in Germany was for the -German cause. But then, after the war ended, when I heard the first Glenn Miller sound on the radio and these fantastic American music makers, I turned into a jazz fanatic. They called me Benny, after Benny Goodman. So, all of a sudden, the eyes of young Germans were opened to America - everything American was absolutely at the top of the list.
The brilliant explosion known as Benny Goodman went off in 1935, and it hasn´t gone out yet.
I had never heard anyone play like Benny Goodman and had never seen anyone like him on the stage. I realize now that what impressed me and stayed with me in memory was - the sounds he made. He played so purely. The music seemed to come from him, not just the instrument he played with such mastery.
Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
Benny [Goodman] used to practice 15 times more than the whole band combined.
Some old people, they remember that they used to play clarinet, and they remember the squeaks of the clarinet. But I don't play like that.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
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