A Quote by Arto Lindsay
I had this idea for a while to do mix this Al Green vibe with a samba thing. I tried to do that in many different ways. Peter added his own modern notion of funk and his own deep background in classical music.
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It is the '94 race which in many ways allowed Ted Kennedy to become his own man rather than the 'third brother.' He had to reach down and win it on his own.
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
Al-Ghazali is the most important philosophical theologian of classical Islam, and Moderation in Belief is among his most important works. It sets out al-Ghazali's Ash?arite theology with unusual clarity and provides important background for such well-known works as his autobiographical Deliverance from Error and his attack on Avicenna in The Incoherence of the Philosophers. This first English-language translation, with notes that bring out the argumentation and background of the work, is thus very much to be welcomed.
Every manager has his own idea of playing and his own idea of the training, and everyone has a different personality.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
I definitely wanted to pay homage to what he did and use his performance in the first one as a foundation. But, I had to make it my own. I couldn't sit there and try to imitate Michael Clarke Duncan. I think that would have been disastrous. I had to make it my own. I tried to take as many nuances that he had with the character and utilize them as best I could, while creating a character that was unique to me. That's going to happen, no matter what.
It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.
A gardener who cultivates his own garden with his own hands, unites in his own person the three different characters, of landlord, farmer, and labourer. His produce, therefore, should pay him the rent of the first, the profit of the second, and the wages of the third.
His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.
The pretense that humans are superior to nonhumans is entirely unsupportable. I have seen no compelling evidence that humans are particularly more "intelligent" than any other creature. I have had long and fruitful relationshis with many nonhuman animals, both domesticated and wild, and have reveled in the bouquet of radically different intelligences - different forms, not different "quantities" that they have introduced to me, each in his or her own time, in his or her own way.
I love how everybody just brings a different personality to the mix and everyone's different in their own way. There's a lot of energy - that's the vibe of Team USA.
I'd like to be remembered as a guy who tried - who tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being. Someone who isn't complacent, who doesn't cop out.
We find that even the parents who justify spanking to themselves are defensive and embarrassed about it....I suspect that deep inthe memory of every parent are the feelings that had attended his own childhood spankings, the feelings of humiliation, of helplessness, of submission through fear. The parent who finds himself spanking his own child cannot dispel the ghosts of his own childhood.
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