A Quote by Arthur Darvill

I go to the Natural History Museum and look at the cage of stuffed starlings there. But my favourite thing is the big blue whale. The scale of it is unbelievable, and makes you feel how insignificant you are as a human being.
Last week we went to the museum. A whole whale is hanging from the ceiling. Bigger than big! OK, have you seen a Volkswagon car that's like a bug? Um huh, you know what I'm talking about. That's how big the heart of a blue whale is. I know it's not possible, but if that heart was in me, could I love more?...I would like to.
My favourite thing about being in nature is that I feel so small and kind of insignificant.
Go to the source for ideas, go to the Metropolitan Museum, find your inspiration in nature, go to the Museum of Natural History, but never rely on something that someone else has done.
It's funny, I'm very analytical in my real life, but in terms of my films, I try to not analyze them at all and let things just go into them and let them be what they are. I mean, people ask me to this day what 'The Squid and the Whale' stood for, and I have no idea except that it's an exhibit in the Natural History Museum.
I have never really liked gigantic-scale painting. I think that so many artists are seduced by scale - "Well, if I make it that big then it has to go in a museum."
I have a tattoo on my foot that says 'it's a whale' in Japanese, because Japanese people kill whales. My stuffed whale was like most children's teddy bear. I took it with me everywhere. I slept with it. I couldn't live without my whale.
What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.
It's so bizarre, being in the rolling water, but I like how insignificant it makes me feel, that's a good head space to be in.
In photography, the smallest thing can become a big subject, an insignificant human detail can become a leitmotiv. We see and we make seen as a witness to the world around us; the event, in its natural activity, generates an organic rhythm of forms.
How fishy on the fishiness scale? Ten is a stickleback and one is a whale shark." "A whale isn't a fish, Thursday." "A whale shark is--sort of." "All right, it's as fishy as a crayfish." "A crayfish isn't a fish." "A starfish, then." "Still not a fish." "This is a very odd conversation, Thursday.
I seldom go into a natural history museum without feeling as if I were attending a funeral.
If you think about human nature, our favourite pair of shoes are the ones we bought yesterday, our favourite thing is the newest thing that we have…and the thing we’ve seen the most and for the longest period of time is our reflection in the mirror, so obviously that’s going to be our least favourite thing.
I'm from Dallas, so I totally get the whole thing. I understand the history and on how big of a scale 'Dallas' was and still is.
You think human nature is a beast, that it must be put in a cage. But it's the cage that makes the animal bad.
When I hear that I realize how quickly time passes and how everybody goes on their journeys and they're always unbelievable and they never go where you think they're going to take you and, quite frankly, it also makes me feel a little old.
There was no magic encounter for me with a whale in the ocean; no being zapped by a whale as I snorkelled in their world. Nothing visible or capable of explanation. In fact, I'd never seen a whale. When I first witnessed their terrible death agony, I couldn't get the picture of a whale being harpooned out of my mind. It was a hideous mind-blowing sight. That day I recognised a purpose on the journey of my life.
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