A Quote by Arthur Koestler
When a chess player looks at the board, he does not see a static mosaic, a 'still life', but a magnetic field of forces, charged with energy - as Faraday saw the stresses surrounding magnets and currents as curves in space; or as Van Gogh saw vortices in the skies of Provence.
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In order to understand the phenomena in a certain plasma region, it is necessary to map not only the magnetic but also the electric field and the electric currents. Space is filled with a network of currents which transfer energy and momentum over large or very large distances. The currents often pinch to filamentary or surface currents. The latter are likely to give space, as also interstellar and intergalactic space, a cellular structure.
I was certainly no Maradona. I was a very fast player. When I saw a space, I used it. When I went past somebody, he didn't catch up with me again. I was a player who came with a run-up. What Maradona could see in a small space, I saw over long distances.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
I felt I had dissolved into a pure energy state and become one with the magnetic field surrounding the earth
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again.
What makes people the world over stand in line for Van Gogh is not that they will see beautiful pictures but that in an indefinable way they will come away feeling better human beings. And that is exactly what Van Gogh hoped for.
Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again. Born writers of the future are amazed already at what they're seeing now, what we'll all see in time for the first time, and then see imitated many times by made writers.
I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act. Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
When I saw 'Chess' in London, I thought it was horrible. It was so static. People were coming down front and just facing the audience, singing.
Vincent van Gogh's mother painted all of his best things. The famous mailed decapitated ear was a figment of the public relations firm engaged by Van Gogh's dealer.
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