A Quote by Asrani

I came to Bombay and got my first big break in Hrishikesh Mukherjee's 'Guddi.' — © Asrani
I came to Bombay and got my first big break in Hrishikesh Mukherjee's 'Guddi.'
There's a big time influence Hrishikesh Mukherjee has always had on my work. I can watch 'Anand,' 'Golmaal' or 'Chupke Chupke' as many times as possible. I just really admire his kind of cinema.
My grooming as an actor took place after working with top directors like Hrishikesh Mukherjee, Gulzar, BR Chopra and Shakti Samantha.
I loved the cinema of Basu Chatterjee, Hrishikesh Mukherjee and Basu Bhattacharya. Their movies were close to life, yet heart-warming.
I have grown up watching Satyajit Ray, Hrishikesh Mukherjee, Basu Chatterjee, Ritwik Ghatak, Raj Kapoor; listening to SD Burman, RD, Kishore Kumar and Salil Chowdhury.
I was fortunate enough to work with legends like Hrishikesh Mukherjee, Basu Chatterjee, Vijay Anand and Yash Chopra, and contemporary filmmakers like Farhan Akhtar and Karan Johar.
We used to do four or five films at a time and were not able to experiment with too many things. But, the heart was in the right place and everybody worked passionately. We had wonderful directors like Bimal Roy, Hrishikesh Mukherjee, Raj Kapoor.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
'Bombay Velvet' is my first film in a trilogy about Bombay, before it became a metropolis.
A lot of luck, and being prepared when the opportunity came. There are talented individuals out there who didn't get the break that I got. Or when the break came, they weren't ready for it.
Bombay is far ahead of Bengal in the matter of female education. I have visited some of the best schools in Bengal and Bombay, and I can say from my own experience that there are a larger number of girls receiving public education in Bombay than in Bengal; but while Bengal has not come up to Bombay as far as regarded extent of education, Bengal is not behind Bombay in the matter of solidarity and depth.
Once I wanted to get into films, I took my time about it because when I first got to Bombay, I gave my photos and CDs to all the production houses. But the roles that came my way were the 'typical white girl dancing in the background' kind of roles, which I was not too interested in, or it was advertisements.
Look at New York and the number of crimes out there. Every big city has crime. Bombay is the biggest city of India. So, naturally, all crimes in Bombay get banner headlines.
Everyone goes on about how Bombay is so similar to New York, so I had see what the big deal was. The bustling crowds are the same, but it's a lot quieter, it's a lot cleaner, and it's not humid. I think the energy is very similar to Bombay.
When I first came out, I kinda overdid it. I dressed extremely older-boyish, like sagging, and big shirt and big jeans. I was just like, 'I'm gonna go extreme.' And then as I got older, the baggy clothes got a little more fitting to my body, but still masculine.
I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
My first big break came with Lauryn Hill on a track called Everything is Everything, I played piano on that track way back in 1998.
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