A Quote by Asrani

Those actors who took to politics are those who were not doing well in films. — © Asrani
Those actors who took to politics are those who were not doing well in films.
I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.
So far, yes, I have been doing only commercial films because those are the kind of films that came my way. Those are the kind of films that I liked, but definitely I'm open to doing other kinds of cinema as well, and if something comes along - if I like a character - then I would definitely do something off-beat or edgy.
I wouldn't have wanted to miss the opportunity to make those three films that didn't do well. They were really important to me, and the things I learned doing them were important to me.
My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect set piece to the next, what we were doing was more of a character study. And I think that is the freedom that you get by doing an Indie film. You can only really do that with a lower budget. So I understand where the conflict is between those two priorities.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
As an actress you're perpetually about to be unemployed. That fear - when you have two parents who worked 9-to-5 jobs and went through periods of being unemployed - is real. Those were not welcome times in my childhood. Working 14 hours a day isn't sustainable, but I prefer it to doing fewer films. I might as well be doing the thing that I wanted to do my whole life.
I enjoy turning things on the audience. I really like working in genre because people come into the films with certain expectations. They know the tropes so well that, when you turn on those, it can be shocking because there's a complacency that comes with watching those films.
I always wanted to play a boxer because some of my favorite films, as a boy, were those great boxing movies, like 'Raging Bull', 'Rocky', 'The Set Up', 'Fat City and Hard Times'. I just loved those films.
I may seem to have worn a lot of tights in films, but actually, those are just the films that have been most visible or worked best. I have worn jeans a lot, too, but those ones haven't tended to work so well.
People turned around and came back to watch. An enormous crowd formed. Ampol Oil took films. When we left Australia, we also left our boards for the Aussies. Those films were shown all over the country to different clubs. The films and our boards became the basis for the modern surfboard movement in Australia.
My politics were those of prophylaxis, my opponents preferred those of palliation.
Scoring, that's my thing... Didier Drogba, Samuel Eto'o, those were the guys that we looked at as kids like, 'Man, they're doing it, and they're doing it at a high level.' We would see them on TV. So, it wasn't much about basketball, to be honest, it was just those type of athletes. Those guys were the guys that we looked at as kids.
A good objective of leadership is to help those who are doing poorly to do well and to help those who are doing well to do even better.
The 19 hijackers that came over here to commit the attack on Sept. 11, there were those that were at the bottom of the line. There were those who were the principal conspirators. There were those who were the pilot. Everybody has a role.
There are so many people who are trying their luck in films and only a few of those actors get to do films and choose to be an actor. The stakes are always high here. It's hard in the sense that it's very uncertain.
My films typically veer towards the darker side, and I enjoy turning things on the audience. I really enjoy working in genre because people come into the film with certain expectations, and they know the tropes so well that when you turn on those, it can be really shocking. There's a complaisance that comes with watching those films.
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