A Quote by Athol Fugard

The things that converge in the writing of a play come from a complex of motives, a genesis shrouded in a certain kind of mystery. — © Athol Fugard
The things that converge in the writing of a play come from a complex of motives, a genesis shrouded in a certain kind of mystery.
It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening. Psychology destroys the mystery, this kind of magic quality. It can be reduced to certain neuroses or certain things, and since it is now named and defined, it's lost its mystery and the potential for a vast, infinite experience.
Writing should be an adventure, shrouded in mystery and uncertainty, blessed with amazing grace. In theory, of course
Writing a mystery is more difficult than other kinds of books because a mystery has a certain framework that must be superimposed over the story.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
The only event in the history of our species that compares with this one is Genesis. And this is a new kind of Genesis, the Genesis of our species into conscious awareness.
I like places that are shrouded in mystery.
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things moving rapidly for the reader. Quick pacing is vital in certain genres. It hooks readers, creates tension, deepens the drama, and speeds things along.
A sermon is a form that yields a certain kind of meaning in the same way that, say, a sonnet is a form that deals with a certain kind of meaning that has to do with putting things in relation to each other, allowing for the fact of complexity reversal, such things. Sermons are, at their best, excursions into difficulty that are addressed to people who come there in order to hear that.
Beauty is necessarily shrouded in mystery--which is part of its splendour.
You're writing for some version of yourself. You're writing the kinds of things that you like to read or wanted to read at a certain point. So, primarily for most of my career, I've written the kind of criticism that fascinates me. The things I discovered the things that get me going, that I'm excited about.
The Palio is shrouded in mystery and secrecy, and the players can't discuss their devious schemes.
I'm tired of being this solemn poet of the masses, the enigma shrouded in a mystery.
I think anything can be forced to converge. The problem is that products are about tradeoffs, and you begin to make tradeoffs to the point where what you have left at the end of the day doesn't please anyone. You can converge a toaster and a refrigerator, but those things are probably not going to be pleasing to the user.
A novel requires a certain kind of world building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see. I would say that all short stories have mystery naturally built into them.
Nicholas Parsons' time at the University of Glasgow seems to be absolutely shrouded in mystery.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
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