A Quote by Atticus Shaffer
I was just sitting in Target, just getting over my cold. I blew my nose and I see these people looking at me and kind of whispering and pointing. Finally, I went, 'Is everything okay? Did I do something wrong? Do I have a booger on my face and no one's telling me?' I'm just not used to it.
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Did I tell you I finally found the perfect page-cutter? It's a pearl-handled fruit knife. My mother left me a dozen of them, I keep one in the pencil cup on my desk. Maybe I go with the wrong kind of people but i'm just not likely to have twelve guests all sitting around simultaneously eating fruit.
Well I remember the first thing that from coming from New York that just stunned me and I couldn't understand was that you valet park for everything. Even - you valet park to go to the dry cleaner. And that, you know, that just blew my mind. I was like, okay, you have to pay $5 to a guy to just drop off your dry cleaning. And so that, to me, was nuts - the fact you're always arriving.
That's something that drives me on - wanting to prove people wrong. Because the amount of people who have told me, 'no, you're not good enough.' A lot of people fall at that hurdle. But I just kept getting up and looking for that one person who said yes.
I'm still getting used to everything. It still makes me a little emotional, just to see how quickly everything kind of changes - that it changes so fast.
I guess the biggest thing I had to get used to was people staring. At first it was like, 'Am I wearing something odd? Is there something on my face?' It was kind of weird because when I go to the grocery store, people, they're not necessarily coming up to me asking for a photo, they just... look at me.
It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.
Okay. Enough." I got out of the closet, brushing myself off, then turned around to face her. "This is happening. So you need to go downstairs, face your fears, and make the best of it, and everything will be okay." She narrowed her eyes at me. "When did you suddenly become so positive?" "Just get out of there.
This is love-not what we say to each other but what we not say. Sometime it just one look exchange. Sometime one word. But underlining everything we say or not say, something else. Something heavy and deep, like when we in bed and looking into each other's eyes. For six years, everything between husband and me was on top, like skin. Now it hidden, like bone and muscle. [] He care for me now. He finally see me. And he like what he see.
I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.
You got to want to evolve. It's something you can practice on but it just came to me. I wasn't really sitting there like, 'What can I do to get better?' It just came to me, talking to my people and my crew. They just tell me what my strongest and weakest points are at.
I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
Everybody literally thinks I've had plastic surgery. My mom's family call her, and they're like, 'Did Hailey do her lips? Did she do her nose?' Do people want me to go to a doctor and have them examine my face so they can tell people I haven't? My face has just matured. I grew into my looks.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.
When I was in Phoenix, people started noticing and looking every day to see what I was wearing, but it never really affected me. When you do this every day, it's just something you do. Even in Europe I was getting dressed up for every single game. Nobody may be watching but it's just me. It's how I live and it's how I move.
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