A Quote by Autre Ne Veut

I wanted to make a record that worked against the hypnagogic paradigm, for sure. — © Autre Ne Veut
I wanted to make a record that worked against the hypnagogic paradigm, for sure.
I wanted out of my record deal with EMI. They wanted me to record one type of album; I wanted to record the type of music I wanted to make.
I started off as a young lawyer working against discrimination against African-American children in schools and in the criminal justice system. I worked to make sure that kids with disabilities could get a public education, something that I care very much about. I have worked with Latinos - one of my first jobs in politics was down in south Texas registering Latino citizens to be able to vote. So I have a deep devotion to making sure that an every American feels like he or she has a place in our country.
Anyone who grew up in the psychedelic '60s probably experienced their share of hypnagogic fireworks. Just as sex got me hooked on anatomy, so drugs were probably what first got me interested in entoptic phenomena, phosphenes, and hypnagogic imagery.
I didn't want to do the whole, get the hottest person thing. I wanted to make sure every record felt right.
I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.
So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.
I wanted to make a record with a twist. I wanted to prove that you could make a record that concentrated on song craft but that was still fun, something you could listen to and love and even dance to, but not hate yourself in the morning. I think I did that. Most of my lyrics come from my own personal journals that I have kept over the years.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.
I wanted to make a reggaeton record. So I sent the record to Ozuna, and he killed it. Then I felt like I wanted to add a more female vibe but still keep some Spanish touch, so I asked Selena and Cardi, and it all came together.
With streaming services, the walls have come down a bit on genres. So I never really set out to make a country record or a pop record. I just wanted to make it mine.
I just wanted to go out and make a record that Ive always wanted to make since I was a kid.
With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.
I just wanted to go out and make a record that I've always wanted to make since I was a kid.
Coming in as an undrafted rookie, I wanted to make sure I competed every day against those talented receivers. Brandon Lloyd, he was a great guy to go against because I did a lot of scout team. Going against him every day along with all those other receivers really helped me polish my game.
I wanted to make a jazz record. I didn't want it to be a standards record.
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