A Quote by Aphex Twin
It's really funny, because if you make up words, then people project their own meanings onto it, which I find interesting.
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All the Oscars stuff for 'An Education' was incredibly exciting, especially because it was such an underdog project - no one would give us the money for it, and we all nearly gave up because it wasn't getting anywhere, then suddenly a breakthrough and this really lovely film, which then took on a life of its own.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
I definitely don't read any tabloids. You really have to find a way to separate the words of people you respect - stranger or not, but respectful content, positive or negative - and people who are just in pain and projecting their own sh*t onto you.
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
I myself, a professional mathematician, on re-reading my own work find it strains my mental powers to recall to mind from the figures the meanings of the demonstrations, meanings which I myself originally put into the figures and the text from my mind. But when I attempt to remedy the obscurity of the material by putting in extra words, I see myself falling into the opposite fault of becoming chatty in something mathematical.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
There are several different meanings of the words "religion" and "spirituality," all of which are important. The whole point about an integral or comprehensive approach is that it must find a way to believably include all of those important meanings in a coherent whole.
I find anger to be funny. I find people that are so wrapped up in their own personalities to be funny, and lost. Like myself in real life.
It's a really interesting and diverse business. You're a farmer first, then a winemaker, then you're onto marketing and distribution. So it's multi-faceted and really engaging. I've learned more in the last couple years than in the ten prior to that, so it's been pretty interesting.
MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.
I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.
If words are to change their meanings, as assuredly they are, let each user of language make such changes as please himself, put up his own suggestions, and let the best win.
Now between the meanings of words and their sounds there is ordinarily no discoverable relation except one of accident; and it is therefore miraculous, to the mystic, when words which make sense can also make a uniform objective structure of accents and rhymes.
Norway, for some reason, I find Norway really fascinating, you really feel nature in that country. And then there is somewhere like Japan, which is the most interesting culturally because their whole psychology, how they think is so different to us and how I've grown up.
I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.
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