A Quote by Afrika Bambaataa

I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels. — © Afrika Bambaataa
I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
There's a very thin line between rock and funk. Funk is like a dirtier blues, and so is rock. They're close cousins.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
People are like, 'What do you mean you don't listen to 115 different types of music?'. You can't just listen to The Smiths anymore. But then there are plenty of people that do only listen to five bands and six albums and that's it. My playlists are massively varied. There's never a theme throughout, it's never like everything is based in funk or based in reggae or whatever. It's 210BPM gabber-style techno and 40BPM reggae in the same list and it's like, yeah, they work.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
Question: Why is that MC's be wack And major labels wanna sign that crap? A-yo...funk that!
Funk, I don't think I have anything to do with funk. I've never considered myself funky.
Funk could very easily be called jazz, but you call it funk. Does that really matter? People dig that they associate themselves with certain genres, but the genres to me are made up things, like an imaginary world.
When I leave a room, it's gonna be footprints of funk wherever I stepped, because I'm a soul-funk crusader.
I stand humbled on bended knee but, of course, the response to that would be 'Duh!' And to be given that incredible honor means that I represent the piss and vinegar, the energy, the defiance, the musicality of the Funk Brothers and Motown and Mitch Ryder and Bob Seger, Brownsville Station and Grand Funk Railroad and Eminem and Jack White and Kid Rock - are you kidding me?
'Uptown Funk' has all the ingredients of the funk that I love.
When you scratch the soul of hip-hop, you find R&B and funk but also reggae.
Novelists tend to go off at 70, and I'm in a funk about it, I've got myself into a real paranoid funk about it, how the talent dies before the body.
Every single place that's brushed upon me has made me the artist that I am - from Nigerian Highlife music and the vocal melodies that I grew up on when I would be sitting with my father and his fellow chiefs, to the funk and freeness of the Bay Area groove, to L.A.'s smooth G-funk legacy, Brooklyn's lyricism, and now Atlanta's trap history.
I started buying records in the 80s. I listened to everything new wave, disco, funk synth-pop, rock, but in my house we were listening to bossa nova, tango, and folk.
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