A Quote by Ahmet Ertegun
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
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I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
I know that when it comes to your friends, especially in the music industry, we work so much and do so much that we don't even really keep track of our days, or keep track of our health, or keep track of our mental health. Sometimes we just go astray.
When the Black Lips sent a track over to me, I thought it sounded like a Beastie Boys track, the way the singer was singing and flowing on it. He was right in the pocket.
When Nas and AZ send you a track, you know it is serious business. Same with Styles P and Jadakiss - then it is serious business. But when you get a trap music track, you know it's time to dumb it down.
I mean, you've kind of got the track down, especially with ovals. The only thing that improves is that when race conditions come, you know what to expect slightly more from the track and from your car.
I study my competition for at least an hour a day. I get on the Internet, I look at what they doing, and then I look at ways to defeat them. I know their mixtapes track-by-track. I know some of their lyrics.
If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
I'm not a singer. I double-track my vocals. I'm just not secure in my voice. I can't do single-track - I sound weird.
We Jamaicans are not so much stressed about time, you know, but you have to stay on top of it. And, of course, on the track, every time we go on the track, it is all about the seconds and the fractions of a second that count.
It was tough. That may happen at the Trials. You are so in the zone when you are in there it's tough running halfway down the track and having to come back. If it's in the rules then an athlete should be able to run under protest. Aries is not a guy that is know for false starts. Now I need to go and get ready for the Trials.
I've always been the type to know that if I'm getting off the track, I know, 'OK, it's time to tighten up.' I feel like I can see it before it comes.
I love short track. I competed in short track, I was a world champion in 1986 but at that point in time it wasn't in the Olympic Games so I moved into long track. Short track is a blast to skate and it's a blast to watch.
I really sort of kept to myself. I kind of just watched the world. And I think to keep people from messing with me, yeah, you know, I went out to run track. I went out for the football team. Not because I love track or love football.
I'll go in the studio and hear a track that I don't like, and they're trying to pay me to rap over it. But I'll tell them I just can't do it. And when they ask why, I say, 'Because then somebody's gonna hear it... damn, find another track.'
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