A Quote by Ayushmann Khurrana

I want to do more new-age content, look beyond conventional cinema. — © Ayushmann Khurrana
I want to do more new-age content, look beyond conventional cinema.
I decided to go to the cinema school because I thought it was a new sort of media. Nowadays, it's not anymore, but in the '50s, cinema had a half century of age. Today it's more than one century. I thought it was a new media, a new way of telling stories.
Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.
Years down the line, when people look at my filmography, I'd like them to see a legacy of new-age content films.
Maybe actors are more passionate about cinema than actresses. Many heroines today seem unable to look beyond glamour.
Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
I think that you will see different types of content emerging, just the same as new media generates new content in the physical world. TV created new content, but it didn't mean that radio disappeared.
The film industry is large enough and has many successful icons that have taken Indian cinema to shores beyond India. I think that Indian cinema itself needs to be applauded beyond one individual.
New York's niche is content, and content is becoming more valuable. Just think about what is more valuable: MTV or the cable system that you use to get MTV? Howard Stern or the radio station you use to listen to him? Ultimately, technology becomes a commodity, and content - real, true branded content - becomes more valuable.
When I look at all of that and I look at the type of content I've created, every time I've gone wrong is when I've tried to create a piece of content where I want someone to learn something or know something.
I am quite content with my work in Malayalam cinema, and so there was never any reason to look outside for opportunities.
There's something really magical about trying to see things in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.
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If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.
One of the delights of the new age is that it's a turning of consciousness to give us permission to look beyond appearances. But there are traps that come with it. It's brave to throw off the old altars and churches and ceremonies that kept us from discovery, it's not so brave to replace them with chants and rituals and new priests who are retreads of the old.
The fact was I didn't want to look my age, but I didn't want to act the age I wanted to look either. I also wanted to grow old enough to understand that sentence.
Look, I like my music, and I don't have a conventional background for a politician, but I'm pretty conventional in many senses.
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