A Quote by Ayushmann Khurrana
I wanted to work with Sriram Raghavan, the master of noir.
Related Quotes
I share different relationships with all directors. I share a beautiful working relationship with Anurag Kashyap. Sriram Raghavan is such an inspiration and I have always wanted to work with them. I gel really well with filmmakers like these.
I want to work with Sriram Raghavan, Imtiaz Ali, Karan Johar, and, of course, any other director who is offering a great role to play in a film.
In 'Badlapur,' my character's name is Jhumli. It's a special film for me because I got a chance to work with my favourite director, Sriram Raghavan. I'm a huge fan of him.
Lots of people expect 'Andhadhun' to be a dark film, given it's from Sriram Raghavan. But this film is fun, entertaining, thrilling, and while it has moments of darkness, overall it's not a dark film.
The songs of Raghavan Master are timeless. There are a lot of things that a student of music has to learn from them. He expressed his thoughts not through words, but music.
You use elements of noir, but you don't want it to be too noir-ish. You don't want it to be advertised as though you're asking people to go and watch an updated noir. I don't think they'll go do that. They want to see a modern story.
I think the great unspoken theme in noir fiction is male self-pity. It pervades noir movies.
Anything that has to do with noir and space, I'm gonna love. When you've got a noir-ish, pulpy detective in a science fiction show, I'm all in, in that regard.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
At the very least, noir offers an alternate reality - moments of real passion, a bleak code of honor, and a need for freedom amid corruption. At its best, noir offers a map of subversion.
Noir deals with the disenfranchised: people who can't catch a break under normal circumstances. In noir books, you root for these people, but you know they are going to fail. That's what makes them so compellingly human. I can relate to that kind of stuff.
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