A Quote by Aya Nakahara

I mean, look at us. We're all alone in my bedroom and I'm not feeling any urge to make any kinda move on you. That's a pretty big problem. — © Aya Nakahara
I mean, look at us. We're all alone in my bedroom and I'm not feeling any urge to make any kinda move on you. That's a pretty big problem.
I am in favor of cutting taxes under any circumstances and for any excuse, for any reason, whenever it's possible. ... because I believe the big problem is not taxes, the big problem is spending.
Just because you can make an album on a laptop computer in your back bedroom doesn't mean it's going to be any good. Like any 'product', it has to come from a good original idea. There are no shortcuts!
That's how powerful you are, girl...You pretty, but pretty alone is not what people see. You the kinda pretty, the kinda beauty, that's like a mirror. Men and women see themselves in you, only now they so beautiful that they can't bear to see you go.
There is no solution to any world problem, to any national problem, to any city problem or to any local problem, unless and until people get their Realization.
We're all proud of making little mistakes. It gives us the feeling we don't make any big ones.
Both my mother and father were very supportive of any career move any of us wanted to make.
All good New Orleanians go to look at the Mississippi at least once a day. At night it is like creeping into a dark bedroom to look at a sleeping child--something of that sort--gives you the same warm nice feeling, I mean.
There is a big misunderstanding about the idea of naturalness. Most people who come to us believing in some freedom or naturalness, but their understanding is what we call [heretical naturalness] ... a kind of "let-alone policy" or sloppiness... For a plant or stone to be natural is no problem. But for us there is some problem, indeed a big problem. To be natural is something we must work on.
America is said to have the highest per capita boredom of any spot on earth! We know that because we have the greatest number of artificial amusements of any country. People have become so empty that they can't even entertain themselves. They have to pay other people to amuse them, to make then laugh, to try to make them feel warm and happy and comfortable for a few minutes, to try to lose that awful, frightening, hollow feeling-that terrible, dreaded feeling of being lost and alone.
There's still a feeling that uncensored emotions make a good song. They don't. Pure emotion is just somebody screaming at you, or crying. It doesn't communicate anything. It has to be mediated with some skill and craft, in order to communicate it to a second, a third, or a fourth person. That doesn't make it any less real. And it doesn't make it any less true. But it does mean that, yeah, it's the combination that makes it work.
I keep feeling that there isn't one poem being written by any one of us - or a book or anything like that. The whole life of us writers, the whole product I guess I mean, is the one long poem - a community effort if you will. It's all the same poem. It doesn't belong to any one writer - it's God's poem perhaps. Or God's people's poem.
The fact is that all the recording science and technology in the world is no substitute for a good song or for real feeling. Music is about feeling and if there isn't any genuine feeling, if the song isn't about anything that anyone gives a damn about, there's nothing you can do. All the technique that exists won't make it any good; it'll just make it technological. All the production values you add won't do anything except make it glossy.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
I think women who are pretty certainly have an advantage in any field, in any profession. When a girl is born people still say: Oh, I'm glad that she is pretty. They don't look at whether she is intelligent.
There isn't any problem with little girls. And there isn't any problem with young women or adult women. I mean, they are model citizens. It's the guys that create all of the problems in our culture. And so it's the guys that have to be reprogrammed. Not the women.
I lived in a pretty big house, and we had a guesthouse, so when I was 14, I built a studio in my bedroom, which was pretty big. It was two rooms connected, so I turned the second into a studio and ran the mic in my closet.
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