A Quote by Badshah

I don't want people abroad to see India like it's shown in a film like 'Slumdog Millionaire.' We are at par with the world. — © Badshah
I don't want people abroad to see India like it's shown in a film like 'Slumdog Millionaire.' We are at par with the world.
Audiences are demanding more movies like 'Slumdog Millionaire.' Poverty in India is a very important issue that we want to highlight.
The film 'Slumdog Millionaire' portrays the spirit you feel in India. For those who haven't been there, the film says it all.
If Slumdog Millionaire projects India as a Third World, dirty-underbelly, developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations. It's just that the Slumdog Millionaire idea authored by an Indian and conceived and cinematically put together by a Westerner, gets creative Golden Globe recognition. The other would perhaps not.
Our culture is making a big difference and, whether it's our curries or movies like "Slumdog Millionaire" or whether it's just the Bollywood numbers to which a lot of the world is rocking, I think India's soft power is going up. And we are contributing a lot of entrepreneurs to the world as well whether it's people like Lakshmi Mittal or Indra Nooyi or thinkers like Amalti Singh. This is all happening because of there's something fundamentally right and thoughtful about Indian society.
I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.
'Slumdog Millionaire' has truly opened newer avenues for India.
I think 'Slumdog' was probably the first big film that happened in India, but even that seemed like a one-off thing.
I was one of the shortlisted girls for the female lead of the Oscar-winning film 'Slumdog Millionaire' along with Freida Pinto.
'City of God' and 'Slumdog Millionaire' are both films that I really like, but they are stylistically the opposite of what I wanted to do.
I don’t know if you have a child, but what the Chinese government want people to see is like you would want a child to see. Because every film shown in China is one that a child could see.
How many more people right now feel connected to Mumbai because of Slumdog Millionaire, or suddenly are interested in the plight of orphans on Mumbai after seeing that film? The same thing with the Kite Runner and A Thousand Splendid Suns.
Above all, Danny Boyle's 'Slumdog Millionaire' is the work of an artist at the peak of his powers. India is his palette, and Mumbai - that teeming 'maximum city', with 19 million strivers on the make, jostling, scheming, struggling and killing for success - is his brush.
My role in 'Slumdog Millionaire' was a cameo, but it did expose me to cinema and took me to Cannes. I then did 'Prague,' which was a very niche film.
One of the best things about the award season is that when a British film succeeds at the Oscars and BAFTAs, such as 'Slumdog Millionaire' in 2009 and 'The King's Speech' this year, the British public get right behind it with an immense sense of national pride.
'Slumdog Millionaire' was as good or as bad any Bollywood film. If I had to rate it, I would give it just 5.5 points out of 10. Unlike others, I am not gung-ho about the film winning so many Oscars. Yes, I am happy that I was a part of the project, but I am yet to figure out why it got so many Oscars.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
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