A Quote by Byron Howard
When I was up in Washington state, I always thought, 'I'm going to go to Los Angeles where films are made and stories are told, and they're going to love me and welcome me with open arms.' But, there was no welcoming committee.
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If you want to welcome me with open arms, I'm afraid you're also going to have to welcome me with open legs.
When my son, Jack, was four, I had to make a trip to Los Angeles. I asked him if he was going to miss me. 'Not so much,' Jack told me. 'You're not going to miss me?' I said. Jack shook his head, and he said, 'Love means you can never be apart.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
Oh my God, Guns N' Roses - it's like, jeez, that's what made me move out to Los Angeles. 'Welcome to the Jungle,' you know - it's been a huge inspiration for me.
I've always had a love affair with New York City, and I've threatened to get an apartment there one day. But it just made sense for me to set 'Burlesque' on the Sunset Strip in Los Angeles. It's a place I know intimately well and love, and I think there's a great story to be told with L.A.
Though negative things have happened to me, God somehow let me know that becoming bitter was not the way to go. You die when you do that. Someone once told me that if you fully open your arms to receive love, you'll get some scratches and cuts on your arms, but a lot of love will come in. If you close your arms, you might never get cut - but the good stuff won't come in either.
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
I was still owed an explanation, I thought, but so what? What good was it going to do me? It wouldn't have made me any happier. It was like scratching when you have chicken pox. You think it's going to help, but the itch moves over, and then moves over again. My itch suddenly felt miles away, and I couldn't have reached it with the longest arms in the world. Realizing that made me scared that I was going to be itchy forever, and I didn't want that.
I moved to Los Angeles when I was 17. I had just booked 'Alvin and the Chipmunks: The Squeakwell.' I thought, 'Well, I'm just going to move to L.A. and become famous. 'Squeakwell' is going to launch me to that point.' Well, I didn't end up working for, like, three years afterward. That's kind of the name of the game.
I love Los Angeles. I love Seattle, too, which is where we have our home. But the notion of spending a lot of time in Los Angeles has been exciting to me for years. The community down there is great.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
Xavier McDaniel made me respect him. I thought I could do anything I wanted to. He grabbed me one time and almost choked me out. He said, 'You're going to do this. You're going to go get coffee. You're going to go get doughnuts.' It's a game of respect.
Shoot, me, if I was going to go to war and you told me I could have Keith Lee, I'll sign up on that one. And you told me I could have the freaking UFC madman Matt Riddle - he's like the new Goldberg - I'll sign up on that one too. I love the guys.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
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