A Quote by Buck Owens
I got to realizing that I wanted to record, I wanted to experiment. And doing those same old songs the same old way - I said, 'I think it's time for me to have some fun.'
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As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
A bunch of people are gonna be mad at me, I’ve got some kind of medical issue that’s going to kill me in a while if I don’t deal with it, oh, and the island’s blowing up tomorrow and taking a whole lot of the country with it if I don’t fix it.” Thomas gave me a steady look. “So,” he said. “Same old, same old.
We wanted to prove to everybody that we weren't the same old Tessa and Scott, trying to do the same tricks again. We wanted to be different.
My mother wanted to be an actress. She wanted to follow her dreams and she never really got a chance to do that. I feel like I'm following her dream in a way. She's proud of me for doing what I wanted to do, but at the same time, I'm kind of taking up where she left off.
Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.
I was just writing songs in my spare time, and recording because it's fun to do, and Sub Pop called me and said they wanted to put some stuff out. I had to weigh whether I wanted to put the time into it because it's a commitment. But, in the end, it seemed too good to pass up.
There were a lot of things I wanted to say in 'Atlanta,' and I learned from the first season like, OK, you got to try and consolidate those and make it interesting and fun for people at the same time while you're doing that. You can't just shove that down to people.
There has obviously been a lot more attention on me but it's not going to change what I do or who I am. It's the same old me, playing the same old sport. I've just got to keep it casual and that's what I plan to do.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
I made songs really for myself - I didn't ever expect to put it out there and make this a record for mass consumption, this was really just a way for me to get out of my own situation and reclaim that part of myself - so when making the songs, I wanted a testament to what I'd gone through, I wanted a snapshot of those moments.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
That's what just hit me: How you really can't have everything. You have to give up the old to get the new. You can't be the child and the mom at the same time. You can't be your young self and your old self at the same time. You can't know what you know now and feel the way you did then. You can't, you can't, you can't.
I just desperately wanted to be happy again in a way that wasn't forced. I wanted to feel like I accomplished something. I did this. I finished this record. I'm doing all the promo. I'm doing everything that I said I was going to do. I really wanted to be happy and normalized and I was tired of people saying I was volatile. I'm not. I'm a pretty normal person. I have problems like anyone else but I've worked so hard to be OK and I don't think that I gave myself enough credit for that.
I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.
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