A Quote by Balachandra Menon

My first love was always direction; I had worked hard as a film-maker but not as an actor. — © Balachandra Menon
My first love was always direction; I had worked hard as a film-maker but not as an actor.
When I was a kid, I built miniatures, and that was actually the first thing I did professionally in the film industry. It was a demonstrable skill that I had, so I worked as a model maker.
I worked with Michael Goode back in 2009. We had done a short film together where I was the actor and he was the director. We got on well and I always remember that being the one of the first acting jobs I did.
There's a documentary film-maker called Werner Herzog, who's a German film-maker. I really dig his stuff, I'd love to chat with him.
I worked hard when I was a consultant. I worked hard when I was in graduate school looking at neuroscience. I worked hard as a teacher. But those are completely different career paths. And the lack of direction is why I didn't get far enough in any of those things.
I really didn't want to be boxed into becoming a certain kind of film-maker - becoming the Maori story film-maker because I had made those short films.
I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
I have a fashion degree and worked as a buyer for Calvin Klein and Macy's before I had kids. I've always worked. I love to work. But my family comes first.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
I had worked with Pranay Dixit in a film, who also hails from Lucknow. I always wanted to cast him for some of my projects as I believe he is brilliant at his craft of an actor.
I am an independent film-maker first and foremost. I have always cut my own cloth.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.
When the ball was hit, my first reaction as a shortstop was always go in the direction of the ball. You can't do that at first base. You go too far in that direction, and it's hard to scurry back and be ready to pick the throw.
Usually, with me, the project is always the second thing. The film-maker comes first. Films grow out of the relationship.
We just constantly worked on second Saw film, it's not an Academy award level film, but we worked as hard we could to make it plausible.
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