Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused.
Any pleasure that would keep you from Christ is a sinful pleasure that will doubtless cause you anguish, heartache, tears and remorse.
The great source of pleasure is variety.
I'm really interested in the pleasure we get from stories and the pleasure we get from movies, and certainly the pleasure we get from virtual experiences. My complaint is against empathy as a moral guide. But as a source of pleasure, it can't be beat.
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
Books can be a source of solace, but I see them mainly as a source of pleasure, personal as well as esthetic.
In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.
I'm a tireless worker; I don't consider painting a work, it is not an obligation, I do it for pleasure; I haven't found anything that amuses me more than painting.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
...pleasure, of course, is a slippery word.... Our pleasures ultimately belong to us, not to the pleasure's source.
Man seldom questions the fact that ugliness and evil are to be found in the world. But he's never as ready to accept that life also offers unlimited beauty and potential for joy as well as endless opportunities for pleasure.
The practice of S/M is the creation of pleasure.... And that's why S/M is really a subculture. It's a process of invention. S/M isthe use of a strategic relationship as a source of pleasure.
Movies always fascinated me. They are an endless source of inspiration. There are countless images by great directors that made a profound impression on me, and I see film as a sublime example of teamwork.
Pain, indolence, sterility, endless ennui have also their lesson for you, if you are great.
I grew up on romantic comedies and love watching those films. They were, like, a real joy and a source of great pleasure and an escape.