A Quote by Barack Obama

The American story has never been about things coming easy. It has been about rising to the moment when the moment is hard. About rejecting panicked division for purposeful unity. About seeing a mountaintop from the deepest valley. That is why we remember that some of the most famous words ever spoken by an American came from a president who took office in a time of turmoil: "The only thing we have to fear is fear itself.
We never want to update 'Black Watch,' because it's about a moment in time, and through that moment, it manages to speak about Afghanistan and all other wars. This play is 'about' Iraq, but it's actually about every war that's ever been or will ever be.
Fear is when we're thinking about the past or thinking about the future, two things that do not exist. If we stay in the moment, do our best in the moment, enjoy the moment, there is no fear.
If we have plain old ordinary fear then we are within reach of a solution. Fear has been with humankind for millennia and we do know what to do about it-pray about it, talk about it, feel the fear, and do it anyway. Artistic fear, on the other hand, sounds somehow nastier and more virulent, like it just might not yield to ordinary solutions-and yet it does, the moment we become humble enough to try ordinary solutions.
I have a certainty about eternity that is a wonderful thing, and I thank God for giving me that certainty. I do not fear death. I may fear a little bit about the process, but not death itself, because I think the moment that my spirit leaves this body, I will be in the presence of the Lord.
They say the cure is about happiness, but I understand now that it isn't, and it never was. It's about fear: fear of pain, fear of hurt, fear, fear, fear - a blind animal existence, bumping between walls, shuffling between ever-narrowing hallways, terrified and dull and stupid.
When the president talks about tax reform, he talks about the people who will benefit. He talks about American jobs. He talks about the fact that we're going to be taking money that's overseas and bringing it back to the United States so that it will employ American workers. I think that focus again on the American working and middle class is- is-is to me the most thoughtful and, in some ways, the most genius part of Trump's approach to politics.
One of the significant facts about the moment of birth is that it is an unconscious moment. No one ever knows when he is being born that the event is actually taking place, and sometimes we don't find out about it until quite a long time afterward. Sometimes, we never do really find out that we have been born. So frequently, we don't know why we were born; we don't know where we came from; we don't know what the purpose of life is; nor do we understand the possibilities of our godly destiny.
The Jewish culture has a wonderful thing about education. It has a great thing about family; it has a great thing about unity, hard work, dedication. I would like to say the African-American community should emulate that.
The interesting question is, how do you put yourself in a position so that you can allow ‘what is’ to be. The enemy turns out to be the creation of mind. Because when you are just in the moment, doing what you are doing, there is no fear. The fear is when you stand back to think about it. The fear is not in the actions. The fear is in the thought about the actions.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
Fear! Fear again, for the first time since his 'teens. Fear, that he thought he would never know any more. Fear that no weapon, no jeopardy, no natural cataclysm, has ever been able to inspire until now. And now here it is running icily through him in the hot Chinese noon. Fear for the thing he loves, the only fear that can ever wholly cow the reckless and the brave.
One road to happiness is to cultivate curiosity about everything. Not only about people but about subjects, not only about the arts but about history and foreign customs. Not only about countries and cities, but about plants and animals. Not only about lichened rocks and curious markings on the bark of trees, but about stars and atoms. Not only about your friends but about that strange labyrinth we inhabit which we call ourselves. Then, if we do that, we will never suffer a moment's boredom.
If I had to pick one scariest thing bout becoming a father, I'd say... the whole thing! From the moment you find out, all the way through the pregnancy, the birth, a new level of fear and horror as a helpless, on-looking bloke and even then when they are out and running about in the world, the fear never ends. It's constant worry, and 'am I doing this right?' and 'why is he making that noise?' and 'has anyone ever died from eating ham?'. It's non-stop.
My fear of coming out wasn't about rejection. I was scared people would say: 'Why were you lying to me? If you've been lying about that what else are you lying about?' Lying is my biggest regret.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
There are a lot of things I love about acting and one of the things I love the most is, here you are taking words off a page, working with someone you might have met just a week before, and somehow you're creating a moment that separates itself from space and time. You feel an incredible rush when you have that moment with another actor. You can feel it bounce off one another. Every take you do can reveal different things that were hiding. And things outside the story get revealed to you, too. It's an incredible way to work and to experience a story.
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