A Quote by Barack Obama
This massacre in Orlando is therefore a further reminder of how easy it is for someone to get their hands on a weapon that lets them shoot people in a school or in a house of worship or a movie theater or in a nightclub. And we have to decide if that's the kind of country we want to be. And to actively do nothing is a decision, as well.
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Religion has been a powerful weapon in the hands of governments, in the hands of priests, in the hands of kings who have used it as a weapon to keep down the populace. It is a wonderful way of disciplining people and making them do what you want, to tell them that if they don't do what you want they will, for example, go to Hell.
Orlando is such a kind person. He's so generous and one of us, 'us' meaning a theater person. What a lot of people don't know about him is that, before 'Lord of the Rings,' he went to theater school like a lot of us. He is just really sweet and hard working.
Make a decision and then make the decision right. Line up your Energy with it. In most cases it doesn't really matter what you decide. Just decide. There are endless options that would serve you enormously well, and all or any one of them is better than no decision.
I don't want to be an art-house movie guy, where people who go to film school can discuss your work, but people who haven't studied cinema can't appreciate it. By the same token, I don't want to be the guy who's making this commercial pap that people lap up but that disappears the minute you leave the theater.
Whenever I hear someone describe something as a 'kids movie' or a 'family movie,' it immediately has a negative connotation in my mind because I think, 'Well, as an adult, I wouldn't go see it by myself, because it's purely for children and it holds nothing for me and it's simplistic and it's kind of easy.'
I always want to make an album that lets people immerse in it, kind of like you get caught up in a good movie.
People have to decide do we want our country for ourselves with the people in charge or are we going to elect the the KGB and the House Republicans to decide this election [2016].
A weapon does not decide whether or not to kill. A weapon is a manifestation of a decision that has already been made.
I think that is what the electorate is looking for - they are not looking for a pretty face to lead the country. They are looking for someone who can give them hope, who can promise them change and who can tell them this is your hands and you have the ownership of how you want to steer the country forward.
'True School' is one great big reminder. It's a reminder to everybody in that middle school bracket that was in school when playing hard to get was out.
The Chinese are more successful [in building infrastructure] because in their country, only three people make the decision. ... In a country where only three people make the decision, they can decide where to put their rail line, get the money, and do it. We don't do it that way in America.
We feel that our actions are voluntary when they follow a decision and involuntary when they happen without decision. But if a decision itself were voluntary every decision would have to be preceded by a decision to decide - An infinite regression which fortunately does not occur. Oddly enough, if we had to decide to decide, we would not be free to decide
So they actually put it into their mission statement, and they start changing things as a result. They may change how worship works. They may actively recruit folks and try and get them to come and help them to feel comfortable and get them involved in leadership, and there's a variety of ways.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
When people say "What do you want people to get from this movie?" I say, "Well, it depends on what they bring to it." I don't try to decide what people should get from it or why. I don't do a part for those kinds of reasons.
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