A Quote by Ram Charan

I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film. — © Ram Charan
I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film.
I don't hero worship for the sake of hero worship. When I find people who are truly remarkable - and I think Joseph Needham is a classic example - I do value their counsel.
If you want to enjoy the movie, you should know that it is the combination of film and light and white screen, and that the most important thing is to have a plain, white screen.
I am not quite comfortable with people identifying themselves as my fans. You know nothing about me. You have just seen me perform in a film. How can you be my fan? If I have to tell you honestly, I want an audience and not fans.
For me, the story must be the hero of the film. The screen space or the length of my role does not matter.
I love Rampage fans. I don't love all MMA fans, but I love Rampage fans. And I really want my fans to know that. I think my fans know when they come in contact with me.
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
As writers and readers, we're drawn to conflict. It's that ancient theory of plot that's written on the whiteboard during every fiction workshop, characters who want something overcoming obstacles as a way to create narrative momentum and suspense. So there's that, that trauma gives us more plot.
I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.
The contemporary hero, the mythical pattern in the imitation of whom we would live, remains as yet undefined. We have no hero; what is more to the point, we suspect hero worship.
I want to single out Kathryn Hahn's performance in Jill Soloway's film 'Afternoon Delight,' which in my opinion should have been nominated for an Oscar. I think it's one of the greatest female performances I've ever seen on screen, and I think she's wildly talented.
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
With a novel, you have the reader with you a lot longer, and you owe him a lot more. Obviously you have to have a plot - I say "obviously," although I think a lot of fiction doesn't, and nothing seems to happen. But to me, there should be something that happens, and it should be at least vaguely plausible. And because the readers are going to be with these characters for a long time, you have to get to know them and like them and want to know what happens to them.
My most enjoyable movie going experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don't know everything about, and you don't know every plot turn and every character movement that's going to happen.
For me, my stories are spiritual journeys, and whenever I write, it's a form of worship. It's a form of my worship. Worship is not just Sunday morning as we all know. Worship is everything we do. Writing is most definitely a form of worship for me and, God as I'm writing, He takes me on these journeys.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
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