A Quote by Barbara Kingsolver
For Lou Ann, life itself was a life-threatening enterprise.
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Probably the toughest time in my life was - was standing there with Ann as we hugged each other and the diagnosis came. And I was afraid it was Lou Gehrig's disease. As we came into the doctor's office, the brochures on his table there were Lou Gehrig's, ALS, and multiple sclerosis.
History as well as life itself is complicated -- neither life nor history is an enterprise for those who seek simplicity and consistency.
I can't find the compulsory mutilation of the genitals of children a subject for humor... It's designed to repress sexual pleasure... The full excision, not just the snip but the full mandatory covenant is fantastically painful, leads to trauma, leads to the dulling of the sexual relationship. And can be, in itself life-threatening at that moment. We have records, I can show them to you, of hundreds and hundreds and hundreds in the United States of boy babies who died or had life-threatening infections as a result of this disgusting practice.
I have people coming to me every day, coming to my office, with life-threatening diseases - life-threatening diseases - and they were dropped from their health care because of the Affordable Care Act.
The human condition is such that pain and effort are not just symptoms which can be removed without changing life itself; they are the modes in which life itself, together with the necessity to which it is bound, makes itself felt. For mortals, the easy life of the gods would be a lifeless life.
In Othello, Othello kills Desdemona, but no one reads that play as a model for their own behavior. In Lou Reed's case, you're listening to a song, and in my case you're reading about a life. Like Lou, I trust my audience to make their own moral determinations.
Playing Ann Landers is like channeling my mother. That combination of love and the enjoyment of life is my mother. And you find that combination in Ann Landers' letters.
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
Seldom do we experience the charisma and character of a dynamic personality such as Lou Holtz, the very successful former football coach of Notre Dame. Lou has left his distinctive mark of success everywhere he has coached. Winning Every Day is not just a catchy phrase, but with Coach Holtz, a way of life.
A creative life is an amplified life. It's a bigger life, a happier life, an expanded life, and a hell of a lot more interesting life. Living in this manner-continually and stubbornly bringing forth the jewels that are hidden within you-is a fine art, in and of itself.
Truth is found neither in Marxism nor in traditional capitalism. Each represents a partial truth. Historically capitalism failed to see the truth in collective enterprise, and Marxism failed to see the truth in individual enterprise. Nineteenth century capitalism failed to see that life is social and Marxism failed and still fails to see that life is individual and personal. The Kingdom of God is neither the thesis of individual enterprise nor the antithesis of collective enterprise, but a synthesis which reconciles the truths of both.
Many expressions that are in common usage, and sometimes the structure of language itself, reveal the fact that people don't know who they are. You say: "He lost his life" or "my life," as if life were something that you can possess or lose. The truth is: you don't have a life, you are life. The One Life, the one consciousness that pervades the entire universe and takes temporary form to experience itself as a stone or blade of grass, as an animal, a person, a star or a galaxy. Can you sense deep within that you already know that? Can you sense that you already are That?
When you've been in life-threatening situations, you become aware that life is not for ever.
Olive Ann describes Sanna as 'a perfectionist and a worrier.' She is obsessed with the idea of finding happiness, and for her, as Olive ann wrote in her notes for the novel, 'happiness means being first with somebody, having perfect, loving children...The theme of Sanna is disillusionment,' Olive Ann wrote. 'Her life is the pursuit of happiness and perfection, but she finds happiness and perfection impossible to obtain-her idea of happiness is constant joy, no changes.
It is sometimes easier to trust God in a life-threatening battle than in the small challenges of daily life.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
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