A Quote by Barry Gibb
When you write a song you have an idea of how it should be sung but it doesn't work out that way if someone else records it.
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When you write a song you have an idea of how it should be sung but it doesn't work out that way if someone else records it
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
It's hard when you're writing for someone else. You obviously always want to do your best work, but sometimes you write and have a song idea and you're like, 'Oh, it's so good I want to keep it for us.'
When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.
On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.
I have yet to have a successful outcome of sitting in a room with someone and trying to write a song. The way that I generally co-write is that someone else writes the music or part of the music.
I can't wait to see someone else from Louisville make a hit song 'cos that'd be dope. I can only imagine how J Cole would feel if somebody just came out of Fayetteville and started booming with some crazy records.
It's not that I can't collaborate. It's just that I don't know how to say no to people. If someone's like, 'Let's write a song together,' it's like, 'You'll write the song, and I'm gonna okay everything.' It's very hard to think that their ideas work with what I'm trying to do.
That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
I say to my students that I can't teach them how to write a good song, but I can teach you how to write a better song. Talking about this idea of it being a process. By going back and not settling for something and find a way to step back from your songs-which is a very hard thing to do-but when you're stuck or you can't move forward, start doing some polishing.
I think it's absolutely possible to write a song and go somewhere where no one's been before, uncharted territory. In terms of content, I see limitations where there should be none. I know there are things I wouldn't write about, but that shouldn't be the case. You should be able to make a song out of anything, out of any situation.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
When I write a song with somebody else in mind, it's putting the cart before the horse. The way I write best is when I allow the song to tell me what it wants to be.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
If someone wants to start a business but they don't have an idea that they are specifically passionate about, then it may not be the right time for them to start it. Instead, they should work with someone else who is doing something they care about in the meantime until an idea comes up.
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