A Quote by Barry Jenkins

It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
I go through phases where I'm not into jazz as much, and then I'll get heavy, heavy, heavy into it.
Actually, the original nickname that I was told - it scared me to death - was Heavy G. I think the last thing you want to be known as is Heavy anything. No offense to Heavy D - rest his soul. Worked for him, wasn't really my bag.
[Christmas] holidays are a heavy, heavy time. We make light of them with our red and green and our stockings and candy canes, but people think heavy thoughts over the holidays because that's when you're thinking about family. Are we close? Or are we not as close as other people?
I'm incapable of writing without social commentary. I like to think that it's integrated and not really heavy handedly didactic.
What I think of when I think of nu-metal: structured, heavy music that has a point. It's angry just like all the other music, but the bigger parts are bigger and the powerful parts are more powerful and the slow parts slower.
Always been a big heavy metal fan. I remember being 15 saying, Dude I'm going to love heavy metal forever. Heavy metal til I'm 60. I'm 35 now. I think I'm going to give it one more year.
I think the way the country has changed in part because of the presidency of Barack Obama, I think in part because of what we`ve - the violence that we have seen on our cell phones and our TV sets over the last couple of years. I think Black Lives Matter has helped to force these issues. Women like Sabrina Fulton. We`re having a different conversation in this country right now about race and what it means to really understand your experience is and my experience is.
In terms of my own film experience, I'm definitely used to morose and very heavy, heavy dramas.
You see, we're influenced by whatever's going. Even if we're not influenced, we're all going that way at a certain time. If we played a Stones record now -? and a Beatles record -? and we've been way apart,? you'd find a lot of similarities. We're all heavy. Just heavy.
Heavy, heavy-hearted people grow lighter and rise occasionally to their surface through precisely that which makes others heavier,through hatred and love.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
So much of what we know, and what we think we know, about the land has first passed through someone's lens. The interesting thing is to make use of this history, not merely to be absorbed into it. For me, landscape photographs begin as the artifacts of personal moments. They get interesting when they become cultural commentary.
I love heavy music. I keep Flume nice and melodic, so I save the angry, testosterone-fueled heavy stuff for What So Not. I think it's a good defining thing for the two projects.
There is a forgotten black middle class in America - a group which is huge but underrepresented in the media and in art. It's difficult to talk about these things, because it forces one to talk in generalities, but that's my view. I do think the idea of a blanket class for black people is unfortunately still present.
I was always very into heavy metal, and heavy metal is full of emotion and extremes, and I think that's the same in dance music.
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