A Quote by Buster Posey
One game that I've been playing a lot is 'Super Stick Golf.' It's really simple, and it's similar in a sense to 'Angry Birds' because you have to hit the right angle and the right trajectory to complete each hole. That one really hooked me.
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My grandpa was the one; he started taking up golf when I was about two and introduced me to the game as far as just taking me to the driving range where I grew up playing. That was really all he had to do was let me hit a golf ball and kind of fell in love with it from there. He didn't really have to teach me a whole lot or anything.
A lot of people don't see me as a funny character because I don't usually get to play them. I'm usually cast in the more dramatic roles, so it's been a really, really fun time playing her humor and her attitude. She's a complete tomboy, so I did a really intense study on men and how they relate to each other, in the way they walk and hold themselves and position themselves in the hierarchy, just in something as simple as a conversation.
You could have all the tools in the world, but if you really don't want to be there, or if there's something that's off course that's playing on your mind... the game of golf is so mental, and if you don't have everything in the right order, it's very difficult to win golf tournaments.
The Hit Stick is a tremendous invention. It really gave you control as a defensive player because most of the time, 'Madden' is such an offensive game. But the Hit Stick really gave you the opportunity to shine on defense for the first time.
Golf is a stupid game. You tee up this little ball, really this tiny ball. Then you hit it, try to find it, hit it. And the goal is to get it into a little hole placed in a hard spot.
All birds need to fly are the right-shaped wings, the right pressure and the right angle.
Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap. It's like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole. I'm not going to be able to get this section back to the right hole - so I'm just going to have to cut it.
If you are really serious about playing golf and playing good golf, stick to the basic fundamentals. Sure, there's going to be a little change here and a change there, but you don't want to make them. You want to stick to the things that you started with, and you learned, and you know how to apply them.
I think people hire me for the slightly weird angle that I bring. Part of the trick is keeping it sort of simple; you have to give the impression of not that much music playing when there's really a lot.
Writing a story starts out as a puzzle in your mind, of "What is it I'm fantasizing about right now that makes me think this is going to be worth years of work?" And you just keep pushing and trying to figure it out, and once you've hit on these resonances... Then as a screenwriter, it can be dangerous if you get too hooked on just finding things that resonate with each other, because then you risk getting into stuff that's too neat, and becomes stifled as storytelling. But you do feel like you're on the right track when you start to have a sense of what goes with what.
I started playing in '98, but I got hooked by playing celebrity golf tournaments. Tiger had a lot to do with it - his passion, the way that he plays. He's unique and different, and he inspired a lot of my passion. It's a sport you can't master. If you're an athlete, you can do almost anything, but golf is not like that.
There's been a lot of simple vilification of right-wing people. It's really easy to say, 'Well, you're Christian, you're anti-this and that, and I hate you.' But to me, it's more interesting to say, 'What is this person like and how do they really think?'
Really focusing on what I have to do right now... no matter what role I'm playing - it alleviates everything around me and makes everything a lot more simple.
i discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind, but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature.
I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.
One thing that's really important for me to be creatively motivated is to find an angle. Some people refer to that as a concept, which it is, in a sense, but not overtly. It's just something I need to focus and hone in on, and the trajectory of what might be seen as a 'concept' gives me creative momentum.
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