A Quote by Bayard Taylor
Women are not apt to be won by the charms of verse.
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The charms of money are distinctly under-represented in literature. There are no songs or poems extolling its virtues. This seems on the face of it strange. The claims of money to be celebrated in verse might well seem to be no less than those of faithful dogs, beautiful women, or jugs of wine.
I was a poet too; but modern taste
Is so refined and delicate and chaste,
That verse, whatever fire the fancy warms,
Without a creamy smoothness has no charms.
Thus, all success depending on an ear,
And thinking I might purchase it too dear,
If sentiment were sacrific'd to sound,
And truth cut short to make a period round,
I judg'd a man of sense could scarce do worse
Than caper in the morris-dance of verse.
Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
Whatever you think The Uni-verse is withholding from you, YOU are withholding from The Uni-verse. If you think that The Uni-verse isn't answering your prayers, chances are you aren't listening to your intuition and following it. You are so scared that you ask for new intuition, but that's not how life works. The Uni-verse is constantly whispering to you, nudging you to trust It and take a leap. But if you don't take the leap of faith, then The Uni-verse can't open any more doors for you.
The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.
I can quote you lots of chapters in verse from the bible that are terrible for women. But you can use the bible to either liberate or subjugate women. And it's the same with the Koran.
Beauty without wit offers nothing but the enjoyment of its material charms, whilst witty ugliness captivates by the charms of the mind, and at last fulfils all the desires of the man it has captivated.
If a shot aimed at aptness succeeds aptly, it is then fully apt, since it is not only apt but also aptly apt. But the full aptness of such an attempt is entirely compatible with its being a horrible murder, if the "hunter" is an assassin and the prey his victim. That hunter's shot may still be outstandingly, fully apt, if it manifests the agent's competence in both archery dexterity and shot selection.
There are women vain of advantages not connected with their persons, such as birth, rank, and fortune; it is difficult to feel less the dignity of the sex. The origin of all women may be called celestial, for their power is the offspring of the gifts of Nature; by yielding to pride and ambition they soon destroy the magic of their charms.
Doubtless the lunatic asylums of the world are filled with unfortunate women who have failed to see my charms.
My own verse is usually free verse. The freer the better.
Sometimes I write from the end of the verse to the beginning of the verse.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
I write a lot of children's verse and I think it delights in the language. It pleases people. It's very musical. It's very lyrical and that's certainly a very important aspect of poetry. But I think that a lot of it is verse. I write well-wrought verse.
I think there is nothing more lovely than the love of two beautiful women who are not envious of each other's charms.
Once there was a gypsy queen who wore on her wrist a chain of six lucky charms - a golden crown, a silver horse, a butterfly caught in amber, a cat's eye shell, a bolt of lightning forged from the heart of a falling star, and the flower of the rue plant, herb of grace. The queen gave each of her six children one of the charms as their lucky talisman, but ever since the chain of charms was broken, the gypsies had been dogged with misfortune.
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