A Quote by B. D. Wong
I used to say that I didn't want anything to do with e-mail. It seemed really impersonal, complicated and weird. I had no idea what an amazing way it is to reach people.
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I certainly felt I had an idea of World War II, and it's probably the idea that many people share: there was this insane aggressor, and there was really only one way to proceed in resisting him. What I didn't realize is that there were many voices belonging to reasonable, interesting, complicated people who had a different way of interpreting the possible responses to the Hitlerian menace.
I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
Being the way I used to be didn't really fit the family profile. I was always loved but if, say, Dad had an interesting business idea I'd be the last person he'd want to share it with in case I blew the lid on it.
Film work can be anything from just really hard and stressful and you're subjected to really weird deadlines to really draconian and weird and disconnected. You're working in service of the thing, and that can be really amazing for everyone involved, or be kind of just a waste of time.
I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living. My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.
I used to think that anyone doing anything weird was weird. I suddenly realized that anyone doing anything weird wasn't weird at all and it was the people saying they were weird that were weird.
I had always been a really peculiar child. My mom would tell you I grew up roughing it with the boys and playing with action figures and toy cars and stuff, but I also had an Easy Bake Oven... I find it amazing that in a really weird way, people are mad that they can't figure out my gender.
This idea of 'laicite' has been weaponized, in a way, to discriminate against people, and this idea of who gets to be French is really complicated and interesting.
I always had a Twitter account. I always had an Instagram account. I was always active on it, always spoke my mind. To me, it's really weird that I got so many followers and people that pay attention the way they do. It's hilarious, actually, because people didn't used to listen to me at all. I used to be like, "Does anybody hear me talkin'?"
People used to share things with e-mail on a massive scale. If you remember e-mail forwards from the late '90s, it was a terrible way to share content.
People used to share things with e-mail on a massive scale. If you remember e-mail forwards from the late ’90s, it was a terrible way to share content.
When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.
Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
I had no idea what to expect moving to New York. It's embarrassing to say, but I didn't even realize that people bought contemporary art... that people actually paid for it... I know that's really dumb. I was really naive. I had no idea artists made money.
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