A Quote by Bea Miller

I wrote 'Song Like You' the day I recognized that someone who was really important to me was not actually very good for me, nor was I for them. I think we all have to make hard decisions like that at one point or another, having to let go of someone who we love because love isn't always enough to make it work.
I like having a woman. I like having someone to come home to, to make all of the hard work feel worth it. I need someone with me. And I want someone.
I make decisions all day, so it's nice for a woman like me to go to dinner and have the man take the menu and say, 'Let me order.' Other women would be offended by that, but I'm like, 'Good. Because I can't make one more decision today.' I want someone to rub my feet without being asked.
I like to keep in touch with my exes and I've been fortunate enough to end on a good note with them. It's always been important to me because it's crazy how you can love someone so much one second and hate them the next. I just find it really bizarre!
Yes - I agree that 'Love Foolish' is very similar to 'Make Me Go,' however, the message is different. 'Love Foolish' follows a story of someone who falls in love, whereas, 'Make Me Go' is a story of someone who wants to find love!
But love is something that has to be as selfish as it is unselfish. You can't make yourself love someone because you feel like you should. Just wanting to love someone isn't enough.
I had an assistant for a hot minute, because that was offered to me. And literally, after a day I was like, "I don't like this. I don't like someone else making the decisions that I should be making." I'm very busy, yes, but I'm not so busy that I can't make my own decisions. I want people to contact me directly about what time I'm being picked up in the morning.
LATE will always be the most important song to me. I used to struggle to perform it live without getting upset but have performed it a lot now, which has really helped. Very often it makes people in the audience cry, and that means so much to me that they can relate to the emotions in the song. It was actually a really easy song to write, I wrote most of it in one day... it sort of flowed out of me. I was never good with dealing with emotion, so I think I kind of needed to write it!
A lot of people say to me, 'Stay grounded; be humble.' David Schwimmer was just like, 'You need to love what you do.' And I think that's really nice. Just love your work. My family has given me great advice saying, you know, 'Don't work too hard.' And it's really nice to have someone like that - you know that they love you.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
As a transgender child, I was always looking around for someone like me, because I thought I was the only one. It's hard to feel like that. But having support from my family changed everything. They helped me love myself and embrace who I am.
I'm very thankful to players like John Stockton and Spud Webb. They've made it possible for someone like me to make it. I think teams are actually looking for one player under 6-feet now, because they make things happen.
You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old.
I was always someone who didn't ever think of boundaries when I was in love with someone. But 2020 has taught me that perhaps it's best to make some and stick to them.
I personally love books that make me think, so I naturally gravitate toward writing a book like that, one that's going to make someone think and make me think.
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