A Quote by Beck
There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
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There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
The only way we can fly planes and use computers is because people were curious about their world and also skeptical about the things they were told to be immutable, so they figured out other ways of doing things.
I grew up in the church, and so I feel that God gave me certain things to do, and I'm lucky enough to kind of have figured those things out. I just don't want to die not having tried to help somebody else with what I know.
I like doing commentary. As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things. I often like the technical commentaries myself.
The things that motivate us are to help other people, to feel that we're useful, to feel that we're getting better, to feel that we are kind of living to our potential, to get a sense of meaning. All of those things are positive.
I don't see a lot of studio executives caring at all about what the culture is telling us. They think they make the culture. They're not out taking the temperature of things and using the results of whatever sort of cultural surveying they're doing to make movies. They're interested in doing things that people are already comfortable with, and taking those properties and filling them.
As a journalist, I interviewed people, and you begin to feel different rhythms in speech, and you can use those things to help carve out a character.
Memorize the selfstarter DO IT NOW! DO IT NOW! can affect every phase of your life. It can help you do the things you should do but don't feel like doing. It can keep you from procrastinating when an unpleasant duty faces you. But it can also help you do those things that you want to do. It helps you seize those precious moments that, if lost, may never be retrieved.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
If you owe money, you can't pay them out. You just pay for everything, you do smart things, you eventually get very rich. If you do smart things and use leverage and do one wrong thing along the way, it could wipe you out, because anything times zero is zero. But it's reinforcing when the people around you are doing it successfully, you're doing it successfully, and it's a lot like Cinderella at the ball. [...] And everybody thinks they're going to leave at two minutes to 12.
If you do smart things and use leverage and do one wrong thing along the way, it could wipe you out, because anything times zero is zero. But it's reinforcing when the people around you are doing it successfully, you're doing it successfully, and it's a lot like Cinderella at the ball.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
I got a whole different mindset from living in Senegal and being there. I learned a lot of things, met a lot of people, and got to really find out what I wanted to work for and who I want to be and who I want to help and who I'm doing it for.
I spend as much time as I possibly can doing things for other people, if I can. If I see a need and I feel that I can help, I do it. I work a great deal in terms of charities and things.
It is exciting to kind of figure things out in yourself and then use other people to help you figure things out so you can really reach your potential.
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