A Quote by Becky G
My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.
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I think my fans respect me for bein' as truthful and honest as you can be and still be Rap music and not be opinion music. It's still Rap, its still style, flavor, flair, and people just kind of like how I present myself and the things that I do.
I'm not going to do anything crazy, but I want to do music that I'm passionate about. I'm finally at an age where I can do the music that I grew up loving, which was urban pop, '90s music. I grew up listening to the divas, so I'm very happy to finally do urban pop. I hope that it's received well, and it has been so far.
Music is very personal. It is not objective. We're not talking about how tight they were. How famous they are. How rich they are. For me it's like food. You taste it, and you either love it, or you think it's boring, or it tastes bad, which is three reactions I have with music, just like food, it's very personal.
I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.
I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
I just think that pop music is very interesting in how it can reach so many people. I like that I can tell stories and I just wanted to be heard more, I guess. That's why it's pop, but in my mind I don't really view my music as pop, I don't really view it as anything. I just look at it as a picture, I like visuals.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
As the years go by, I realize how unique a style rock music is and how delicate you have to be with it sometimes; otherwise, you turn it into pop music or progressive rock or something else.
I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.
I didn't have a sense of how to dress. I still don't really, but, like, back then, I truly had no sense of how to dress because I wanted to be a tomboy - I thought I was a tomboy, but secretly wanted to be girly, but didn't know the first thing about making myself girly. So I ended up like wearing just like sweatpants to school with, like, long T-shirts that I got on family vacations. And it was just weird.
My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.
It's not just my music. Not everyone just listens to grime now 'cause of Skepta. They like how we speak. They like the slang. They like how we dress. They listen to the music. It's everything.
I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
I don't put myself in any box or say that I can't work on any kind of music. I'm not just a producer that only makes urban music.
Pop music can absorb so many peculiar talents, ranging from the completely nonmusical poseur who just uses music as a kind of springboard for a sense of style, to people who just love putting all that complicated stuff together, brick by brick, on their computers, to people like me who like playing conceptual games and being surprised.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
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