A Quote by Becky Sauerbrunn
I know that I'm not the fastest or the strongest or the best in the air, so from a very early age, I had to be positionally sound, or I was going to get beat. So you just kind of learn as you grow.
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Billy Jones, positionally, is unbelievable. He's not the fastest guy but he makes up for it by being positionally sound, so I really tried to focus and absorb where he would be in certain situations and just tried to add that in my game.
I'd get beat up a lot early on. I wasn't the strongest, fastest or most skilled guy there, but I had a lot of heart and kept showing up. I just started getting better and by the time I was 13 I was knocking older kids and amateurs out.
I really believe I'm no different from anyone else. I just had a few challenges I had to learn from at a very early age.
I don't know if there's a strategy really so much as, like I learned doing standup and had to learn fast, you always just try to give your favorite, strongest stuff as early as possible and you start with what you like the most.
You may not be the best at one thing.You may not be the strongest or the fastest, but you're also not going to be terrible at something. You practice everything.
Theorists tend to peak at an early age; the creative juices tend to gush very early and start drying up past the age of fifteen-or so it seems. They need to know just enough; when they're young they haven't accumulated the intellectual baggage.
I really always felt that I was going to be an actress. I had a lot of confidence in the fact that I would do well from a very early age. I didn't know how tough the business is.
In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.
It was good to learn so early. They're not going to be kind to you. You have to do it and get on, and then gulp down and get better.
My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.
I think that having been around computers all my life - my father had brought home personal computers at a very early age in the '70s - so being around computers from a very early age perhaps I had even subconsciously seen the exponential progression of what was happening with computers.
When you're a producer on top of that, just havin' a beat that's hot is not enough. Now you know your sound, 'cause you've been workin' on your sound for so long, and now you're extra picky. You might do a beat that's ill, that the average rapper would pay big money to get on, but you don't wanna do it because you're like, "Ehhh... it's not what I'm looking for, it's not what I'm goin' for." So you're extra picky.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
It takes time because the habitual response to that is very deep. It goes back to our earliest responses as babies. You have to feel safe, and if a sound is threatening, you're going to be upset. There are those early responses, depending on how and what kind of experiences you had.
I'd been taught from an early age that I was in the other category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
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