A Quote by Ben Katchor

There's a real connection between the history of print in Europe and nationalism, and how those two things could be formed. I think they may both now be ending, for good and bad, but I think mainly for good. Either globalism was supposed to make people all realize this is one big business going on and we should know what's going on everywhere, or it makes people say, "I don't want to become part of this thing. I want to be incredibly different from you and I want to uphold my local behavior." Dress a certain way.
Tonally, there was no discussion; I just don’t know any other way to do it. I don’t want to make people feel bad, and I don’t want to make their problems into a joke. I do love telling people when they’re right and wrong, but for the most part, it was always going to be about real fights where people have a real difference of opinion and a real dispute. I want to make jokes, but I also want to make a decision that is fair.
Well, I think the way you feel as a teenager stays with you, forever. I really believe that. And we try to change and we hope that we change, but we don't really in big ways, in serious ways. I think the personality is formed at that time, for the good and for the bad. ... We all want to grow up and move on and appear to be different to people. And we want people to see us in a different way. But, I don't know, I think the personality is very, very strongly cemented, and we just bear whatever shortcomings we have and learn to live with it.
People want black and white answers, but it's not one thing or another. I think the only way we're going to make good things is to inspire people and make them feel as though what they're watching is real.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
The only thing I can say is that people requested,when The Exorcist it going to be on the big screen? People want it on the big screen and they want to see the footage. I think it's going to do very well. I think it will please people, and the fact that they added the new sound.
There are two kinds of people in this world. There are the people that will have you think that there are two kinds of people in this world, and there are the 'good; people. There is no good, there is no evil, there is just a war going on between the people that want you to think there's a war going on and the people that know there doesn't have to be one.
I really moved fast, bro. I don't want a big selection, because I don't want myself in between nobody else's problems, basically. Like, if I know these two people going at it, I'm not about to make a song with either one of them.
I think the most important thing is to leave people inspired to do something, to realize their purpose in life. I want people to show love to each other. What I love about performing live, and especially in smaller intimate venues, is the real connection you have with the fans that you can't get in a studio or a big arena. It allows me to have real moments with my fans. I just want the night to be filled with good energy, love, and for people to leave the show happy.
I want to pass on my secrets to people who are going to say, 'I have realised that I love baking, and now I'm going to make my bread and sell it at the local farmers' market,' or who might say, 'I am going to use the local Post Office in our village to sell my cakes.' I want to give them that little bit of fire.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
I'm a selfish person, and I'm going onstage to have a good time, and I'd love if you want to be a part of it. So if people don't get it, they're wrong. I think they're wrong, and I think they either don't want to have a good time or they just don't like my style.
Now the Japanese companies are more focused on that. To have two independent directors - I think it's good to have outside people look at you and think of what you could be doing better. Those are voluntary, but most of the companies told me they're going to do it. And I think it's good for them to say our returns on equity, for example, should be higher. Also, I think some could be more ambitious.
I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.
I really think there's a difference between how men critics see things than how women tend to. And I don't want to make that - it's not a generality and I don't want to say that, but I just feel - I know I do the same thing. There are certain things that I just am not that interested in. Certain kinds of films - I just don't enter them.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.
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