A Quote by Ben Mendelsohn
'Slow West' is a western, and it's sort of a twist on the genre stylistically, I think, from what I understand going in.
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I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.
We also want to try and slow down all this foolishness that's going on between the East and West. We gotta understand that Hip Hop is now universal. Hip Hop is not East coast or West coast.
Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.
You could call it that [urban Western], I guess, you could certainly call it that. A lot of these types of films are, really, if you get down to the core most suspense thrillers in this genre, the Western is sort of the birth of it all.
The horror genre gets you in touch with our primal instincts as a people more than any other genre I can think of. It gives you this chance to sort of reflect on who we are and look at the sort of uglier side that we don't always look at, and have fun with that very thing.
I love the Western genre. In fact, one of my dreams is to play a cowboy on screen, like Clint Eastwood. I don't think it's going to happen, but you can always hope.
I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
I think I'm sort of blind to genre. As long as it has a sort of honesty about it, which I think you'll hear in whatever music you respond to, then I think it doesn't need to be called anything particularly.
I don't understand why we give up genres, and the Western is a great genre. It's a part of the rich history of cinema and who we are as we've evolved as people, as a community.
I wanted to stay on a career path of the likes of Natalie Portman. I didn't want to be pigeonholed into a certain genre. I sort of believe that slow and steady wins the race.
When someone talks about Western films, you probably think of those old black and white cowboy films your granddad likes. But the Western is a wonderful genre because it is usually a story of a lone hero fighting against corruption in a dangerous world.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
I like the Western genre, I think it's uniquely American.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.
If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
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