A Quote by Ben Stokes

It's not as if I ever left the pitch thinking 'I wish I'd given a bit more today.' You were always going to get everything from me. — © Ben Stokes
It's not as if I ever left the pitch thinking 'I wish I'd given a bit more today.' You were always going to get everything from me.
Technically I have siblings, but they are quite a bit older than me - I was the accident - so I have the only-child syndrome going on. I'm a little more selfish, a little more independent, a little closed. I do wish I were softer. I wish I were able to form relationships better.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
My father left when I was really young, but he's still living. There are things I wish I'd said that I didn't and I don't think I'll ever get the opportunity to say. He's battled addiction problems his entire life. I wish things were different. I wish there were a way my son could know him, know the good parts of him.
Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
No one has ever raised capital because their pitch deck was pretty. A lot of people have raised capital because they were over-prepared, knew where their business was going, and were able to articulate that through a pitch alongside a pitch deck.
Now I'm in nonfiction. To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way. There's always that matching of the content and the form, and that means everything to me. I spend years thinking about what that match is going to be before I can really make it work.
For me, nothing bad can happen on a football pitch. You could be growing up in chaos, everything could be going crazy around you, but if you have a ball at your feet, you stop thinking. Everything is quiet, peaceful.
Nobody ever thought of me as dumb. They always knew me as cerebral, a thinking person. Educated and so on. But I was always given glamorous roles.
College is a time in life where you get to know yourself as a player on the pitch and off the pitch. My coaches at USF were instrumental in making me understand the discipline it takes to succeed at the next level. Those were four special years for me.
I frankly confess that even if it were possible I should not wish to have free choice given to me, or to have anything left in my own hands by which I might strive for salvation.
It's going to get even worse if Hillary [Clinton] follows her plan that I describe in Reclaiming Our Children. But even now in many, many schools the nurses are giving out more drugs than were given out in children's mental hospitals when I was in training. You can go into a school today and find that ten or twenty percent of the boys are on drugs given by the school nurse. I just recently visited a school where over half of the children were being given drugs.
If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
Everything with me is normal except when I pitch (in Fenway Park). When I pitch here it's a little different. There is a little more anxiety to go along with the nostalgia because this is the park I grew up with as a kid. This is the park I dreamed of playing Major League Baseball in and no other ballpark has that feeling for me. There are a lot more family and friends here than in my normal starts and I want to pitch well here.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
All you ever were was a little bit of the universe, thinking to itself. Very specific; this bit, here, right now. All the rest was fantasy.
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