A Quote by Ben Harper
Time is really for those who really need it. I mean, I deal with it. A lot of people are slaves to the second, minute hand. I can't do that!
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An Oscar is a total honor. It's thrilling, and on the one hand, it means a lot of things, and on the other hand, it doesn't really mean anything. It's a moment in time.
It's from the heart. I don't really care if people see that I do it or notice that I do it or even recognize that it's me doing it. I just do it because I feel like there's a lot of people out there that need a hand, and I try to lend a hand.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
There's a big confusion in this country over what we want versus what we need," Morrie said. "You need food, you want a chocolate sundae. You have to be honest with yourself. You don't need the latest sports car, you don't need the biggest house. The truth is, you don't get satisfaction from those things. You know what really gives you satisfaction?...Offering others what you have to give...I don't mean money, Mitch. I mean your time. Your concern. Your storytelling. It's not so hard.
When you're young and arrogant and cocky and feel you're invincible, you say a lot of mean things to a lot of people because you think you're better, you don't need to deal with people.
I really enjoyed every minute of it. I mean, I've learned so much in the last week, I mean, just the way to play a real, real doubles. It was a great experience for me, and we had a lot of fun.
Certain songs mean a lot to you, and they don't really resonate with anybody else, and the ones you don't necessarily love are the ones that become really meaningful to a lot of other people.
On tour things go wrong all the time, I mean that's live music, that's what it's all about. I think one of the things I'm learning is that when stuff goes wrong, really brilliant musicians have the ability to turn this into something interesting and unique. I think good people in any sphere of anything know how to deal with problems, how to take it in your stride. We are learning this by touring, by being put in these positions when we need to focus and deal with it.
As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
I think that it depends what you mean by successful. If you mean 'make money' you need to be part of the machine unless you're one of those superhuman people who can do everything by yourself, and have workaholic tendencies and really good advisers and a good investor.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
Most people don't really need to hear a six-minute guitar solo that modulates between five keys and time signatures. What they want is a good song.
I always love to put hidden messages in my music videos, because I know there are people like me who, when they watch something, are really active, involved participants. I'm not usually a really passive listener or observer. So I do put those messages in there for people who spend a great deal of time [looking for them].
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